Eventide Ultra-Harmonizer, 8-Channel Effects Processor Review

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(More customer reviews)The Eventide H8000FW is the most powerful audio effects processor available. Period. Nothing comes close, and at this price point, that is the way it has to be. I've had my H8000 for several years and had it upgraded to be a H8000FW which adds firewire so that I can use the H8000 in an effects send from my computer. This unit is completely programmable. You can rearrange all the modules in every algorithm (patch). The quality of the effects is outstanding as well. The stellar pitch shifting is what gives the H8000 the name "Harmonizer", but the other effects are world class as well.
The down side? Well, the price is hard to get past, but you do get what you pay for. The learning curve is steep, however there are over 1000 patches already loaded into the H8000, so you may never need or want to take the time to learn everything about the H8000.
If you don't need eight channels, you can save some money by purchasing an Eventide H7600 two channel Harmonizer, or if you know you will never want to edit the algorithms, take a look at the Eventide Eclipse which is the least expensive Harmonizer.

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The Eventide H8000FW Ultra-Harmonizer 8-Channel Effects Processor provides high-quality 24-bit audio performance and over 1,600 preset effects algorithms including presets for 5.1 surround sound. It features UltraShifter, Eventide's most natural-sounding, formant-corrected pitch changer which is optimized for voice and includes automatic pitch correction. It also comes with twelve channels of AES/EBU, ADAT, S/PDIF, and FireWire digital I/O, up to 96kHz sampling frequency, 174-second mono sampler with looping, beat-sync tools, and four channels of XLR/TRS analog inputs. Also comes with search-engine functionality for easier preset sorting, Monolithic Tandem mode for running one large algorithm using two DSP chips, building-block custom effects architecture, and ultra-versatile anything-to-anything routing. FireWire ports deliver computer interactivity with graphic computer editor/development tools and routing software.

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Edirol FA-66 6 x 6 FireWire Audio Interface Review

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(More customer reviews)I've been using this product for about a year now and it has some real strengths in terms of audio fidelity and everything being in the one unit. I shared some of the difficulties of the last user initially, using a Dell Inspiron 8600, but was able to resolve them. The FA-66 can be resource fussy - not much extra needs to be going on with the computer before there is skipping. Maxing out the buffer fixes this, but this is devastating in terms of latency. The Windows that ships with Dells is less customisable than plain-vanilla Windows, and does have lots of things running in the background. I eventually identified that the anti-virus software was launching a separate app to check for updates (every 10 minutes!) and that this was causing skipping. Audio programs themselves - despite being resource intensive - don't seem to cause the problem. Once I disabled this app everything was good and I could operate at latencies of about 4ms without any problems.
There are a lot of good external units out there of which this is one. It really comes down to what you want and what software is packaged with the unit. 192KHz is overkill since consumer products like these have too much DAC jitter for this to be relevant. 96KHz is probably pushing it. But for straight-forward home or field recording where you don't want to bother with a mixer or a separate midi box, this is hard to look past. The inclusion of an analogue limiter sets it apart from offerings from M-Audio and the like, it is solidly built and having phantom power is very handy.
November 2007 Update - I've been using this with a MacBook Pro for a year now and its a dream. My recent purchase of Apple Logic Studio completes a really solid set up, exposing me to the harsh reality that any remaining limitations are user-based.

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6 x 6 FireWire Audio Interface

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Alesis MultiMix 8 USB 2.0 Mixer Review

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(More customer reviews)I was a little nervous to buy this without reading someone's assurance that it would do specifically what I wanted: record our band multi-tracked into a MacBook.
But it works great. No hiccups while streaming 6 channels at once into Garageband. Amazing at the price.

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Designed with low-noise analog electronics, the MultiMix 8 USB 2.0 mixer lets you take advantage of 100 studio-grade 28-bit digital effects. Whether used for mobile or studio recording, the MultiMix 8 USB 2.0 mixer makes recording high-quality audio to your computer fast and easy. The MultiMix 8 USB 2.0 mixer is also bundled with award-winning Cubase LE software for instant creativity right out of the box.
Key Features
10-direct outputs to your computer for recording and 2 return inputs for monitoring
High-gain mic/line (XLR and 1/4-inch balanced) inputs with phantom power, 2 stereo balanced 1/4-inch
Line inputs, aux send (to onboard or external effects), stereo aux return
Switchable 75Hz high pass filters
100 onboard 28-bit preset effects including reverbs, delays, chorus, flanging, pitch and multi-effects
3-band EQ per channel with high/low shelving and mid band pass/reject
Separate 1/4-inch balanced main and monitor outs, headphone out
24-bit, 44.1 to 96 kHz operation with high-end A/D and D/A conversion through an integrated USB 2.0 Audio interface
Steinberg Cubase LE included

Specifications
Input Channels
Mic In Sensitivity Range: -60dBu to -10dBu nominal, +5dBu maximum
Line In Sensitivity Range: -40dBu to -+10dBu nominal, +25dBu maximum
Mic/Line Gain Range: +10 to +60dB

Equalization
High-Pass Filter: 75Hz, 18dB/octave
High Shelving: 12kHz, +/- 15dB
Mid Bandpass/Band Reject: 2.5 kHz, +/- 15dB
Low Shelving: 80Hz, +/- 15dB

Aux Sends
Aux Send A & B Gain Range: -∞ to +10dB

Aux Returns
Aux Return A Gain Range: -∞ to +15dB
Effects Level/Aux Return B Gain Range: -∞ to +15dB

Channel Levels
Channel Level Gain Range: -∞ to +10dB

Master Levels
Main Mix, Ctrl Room Gain Range: -∞ to +10dB

1/4-inch Inputs
Stereo Aux Return Level: +4dBu nominal, +20dBu maximum

RCA Inputs
2-TRACK IN Level: -10dBV nominal, +5dBV maximum

1/4-inch Outputs
Main Mix, Ctrl Room, Ext Aux Send Level: +4dBu nominal, +20dBu maximum
Headphone Output: 75 ohm output impedance >105mW into 75 ohms, >40mW
into 600ohms

RCA Outputs
2-TRACK OUT Level: -10dBV nominal, +5dBV maximum

Dimensions and Weight
14.5 x 10.75 x 5 inches
7 pounds

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VocoPro UHF-5800 Professional 4 Channel UHF Wireless Microphone System Review

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(More customer reviews)Because our church does a lot of outdoor activities we were interested in going wireless, but the entry price is pretty high for the "known" brands. So we took a chance with the 5800 because it gives 4 mics right away. When we hooked it up, we were astounded! We used tyhe 4 xlr connections so we could eq each one with our mixer. The vocal reproduction was incredible! We did a side by side with our samsung and peavey wired mics and the Vocopro was the clear winner. The range was much better than inspected. We walked with it nearly a full city block before we lost the signal. The rack mount has a very clean layout, and its easy to tell which mics are on and which have a signal. The only downside we saw was the need to replace the alkaline batteries every other service. Rechargeable batteries didn't work well, which is why we are upgrading to the 5805, the same system except with rechargeable mics. I would recommend the 58xx series to anyone. It's inexpensive, but it's clearly not cheap.

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UHF Professional Wireless Mic System

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Korg Sound On Sound Unlimited Track Recorder Bundle With 8GB Micro SD Memory Card, 4 AA Lithium Batteries & Led Flash-Lite Review

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(More customer reviews)I got mine in the mail. It took a few days at most. In a proper cardboard box with all the right shipping stuff tucked in there I thought I had the wrong package... it's so light... I got mine from Amazon.com and they said 2 pounds... but it's light.
This deal came with a formal memory card so I didn't have to run all over the place looking for the accesories for my Korg. I did buy a power pack or AC/DC thing but that was under twenty dollars here in The Confederation of Canada... and the Amazon deal came with enough batteries for a couple of days use.
I'm no brain surgeon... I'm a no brainer. The instruction manual is honest but not the best tutor for a guitar player that doesnt' double on sax and phone. What I mean is the unit is not a wind me up toy but a reel to reel studio on wheels...
I got mine working for me well and I must say that sounds nice... who is that?
I hope to add more to my review here as I have only had mine for two days so if you're shopping for studio time to cut a demo and such, this things only [...] bucks and lets you record the whole song you wrote... not just the first two chords... and then it lets you add track after track of guitar bass vocals and keyboards... or kazoo for that matter ... I glad I bought one but I need all the help I can get.

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Korg SOS SR1 Sound On Sound Unlimited Track Recorder.- Recording format: PCM audio format, WAV format (extension.wav), BWF compliant, 44.1 kHz@16-bit.- Available recording time: Memory card dependant - up to 26.6 hours with a 16 GB card; Approx. 100 minutes per 1GB.- Maximum continuous recording time: 6 hours.- Total number of songs: Up to 200 songs (as recognized by the recorder).- Maximum number of Overdubs: Dependant on memory card space.- Undo/Redo: 1X, 10X, Unlimited (Dependant on memory card space).- Tempo: 30-240 BPM.- Number of Rhythms: 50.- Counter Modes: Hours/Min/Sec, Measure/Beat/Quarter-Beat.- Number of Effects: 100.- Categories: Guitar (36), Mic (25), Master (30), Touchscreen effects (9).- Tuning Modes: Chromatic; Guitar; Bass.- Scale: 12-note equal temperament.- Calibration range: 435Hz~445Hz.- Supported Memory cards: microSD card (512MB-2GB), microSDHC card (4GB-16GB).- Display: Touchscreen LCD with backlight.- Power supply: AA/LR6 alkaline battery x2, AA nickel-metal hydride battery x2, Optional AC adapter (DC4.5V).- Speaker: Impedance 8 Ohms. Maximum output 0.4W.- Frequency response: 20 Hz-20 kHz+/-1dB.- Dimensions: 2.72'' (W) x 5.31'' (H) x 1.3'' (D).- Weight: 4.94 oz (including memory card and batteries).- Accessories: AA alkaline batteries x 2 (for checking recorder operation).- GUITAR IN: Connector 1/4'' phone jack (balanced), Input impedance 470k Ohms, Nominal level -6[dBv].- LINE IN: Connector 1/8'' stereo mini jack, Input impedance 14k Ohms, Nominal level -6[dBv].- MIC: Connector 1/8'' stereo mini jack (switchable to Plug-In-Power), Input impedance 15k Ohms, Nominal level.- MIC GAIN: LOW/MID/HIGH (-22[dBv]/-30[dBv]/-38[dBv]).- HEADPHONES: Connector 1/8'' stereo mini jack, Maximum level 25mW + 25mW @16 Ohms.
This Bundle Also Includes: - 8GB Micro SD Memory Card.- 4 AA Batteries.

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Nady MPM Portable PA System Review

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(More customer reviews)Do not waste your money on this product! First the amlefire broke on me so they sent me a new one which was completely different than the origianal. After that both the speakers burnt out on me. The micorphone screw cracked the day i oppened it. This product will break easily on you and it's not even good for parties. This is probably the worst thing I ever bought.

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Consumer Alert! Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website at www.fcc.gov/cgb/wirelessmicrophones Note: All of the wireless systems that AMS sells comply with the FCC guidelines and regulations. We are presenting this information as a matter of legally required disclosure. This complete PA system is an incredible value and includes Nady's MPM 4130 4-channel 130 watt powered mixer with built-in digital delay, a DKW HT handheld wireless system, and a pair of the 300 watt Nady PS112 2-way speakers featuring a 12 inch woofer and a 5x15 inch horn. Cables and speaker stands are also included. This is the perfect system for band rehearsal rooms, aerobics studios, many worship and theater applications, as well as solo & small ensemble music acts. Nady MPM 4130 Powered Mixer Rugged and easy to operate, the MPM 4130 mixer offers great features and performance and is ideal for many venue applications. The MPM 4130 features combination XLR and 1/4 inch inputs, separate delay, bass & treble controls for each channel, and RCA CD/Tape In/Out jacks. Nady MPM 4130 Powered Mixer Features: 4 mono Mic/Line inputs with combo XLR-1/4 inch TRS jacks Amplifier delivers 130 watts @ 4 oh

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Shure PSM 200 Wired Personal Monitor System with Hybrid Bodypack Receiver, P2RE2, H2 Review

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(More customer reviews)We have a smaller church of 100 to 125, and this product has worked well for several years. My wife leads with the piano and vocals. Sharing "real" monitors with everyone else just wasn't working, and she'd strain her voice. The PSM 200 system works great and solved that problem. She just uses the two inputs to monitor her own voice and the piano, so the downside is she can't hear the others on the team. After a couple years, I bought a second Bodypack (here on Amazon) and gave it to the Drummer. The drummer just listens in on the same piano and lead vocals, and that keeps her in sync with where the music is headed. Works for us.

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Whether you're playing live or rehearsing, you need to hear yourself to be your best. That's what monitoring is all about. Yet some performers still struggle with booming floor wedge monitors and loud stage volume. Introducing the PSM200 - the personal monitoring break through that performers have been waiting for. Featuring smart, versatile components that grow with you as your needs change, the PSM 200 series is a practical alternative to floor wedges for performers who want to start out In Ear and stay there. The P2R Hybrid Bodypack Receiver is the world's first bodypack receiver to function as a wired receiver, a wireless receiver, or both at the same time. This and other unique features, along with excellent sound quality, make the P2R an exceptional value. The PSM 200 model P2RE2 is a wired personal monitor system featuring the P2R Hybrid Bodypack Receiver and the clear SCL2 Sound Isolating Earphones.

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Joemeek ThreeQ Pro Channel Strip Review

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(More customer reviews)This is a great preamp for the price range if you only need one input preamped. I do a podcast and so only record myself, generally. This has a built in compressor and equalizer which add to the cost/benefit ratio. The 60dbs of preamp gain should be able to handle most dynamic and condenser mics. I can't say enough good things about this preamp, it's easily equal to one in the $500 range.

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The Joe Meek threeQ is like having one channel of a professional recording studio in a small box. It takes a microphone or instrument, amplifies it, compresses and equalizes it ready to be recorded. Simple to use yet extremely powerful, the threeQ will bring out the best in any microphone or instrument and give the gloss of a professional studio production to all your performances. As well as recording it will also be found useful for live work. Joe Meek ThreeQ Features PREAMP GAIN: Sets the amount of audio amplification. Too little gain and the sound will be too quiet; too much and the signal could become distorted. PEAK LED: Lights 6dB below clipping. LINE Switch: Selects the Line (jack) input instead of the Mic (XLR) input. The LED lights when active. COMPRESS: Sets the level of signal (or "Threshold") above which the signal starts to be compressed. ATTACK: Sets how quickly the compressor responds to peaks abovethreshold. RELEASE: Sets the time during which the signal returns to its normal size after compression. In general, the longer the time, the less obvious the compression. COMPRESSION METER: 4-LED bargraph indicates the amount of gain reduction in dB, which is taking place at any given moment. COMP Switch: Turns the compressor on. The LED lights when active. LF: Controls the volume of Low Frequencies or "Bass" in the audio spectrum. 15dB of boost or cut is available around 80Hz. MID: Controls the middle frequencies in the audio spectrum. 15dB of boost or cut is available at the selected frequency. MID FREQ: Sets the frequency at which the MID control operates,anywhere from 300Hz to 5kHz. HF: Controls the volume of the High Frequencies or "Treble" in the audio spectrum. 15dB of boost or cut is available around 12KHz. EQ Switch: Turns the equalizer on. The LED lights when active. OUTPUT GAIN: Volume control or "Fader" for the outputs of the threeQ. VU METER: 8-LED bar

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Rode NTG1 Condenser Shotgun Microphone Review

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(More customer reviews)I needed 4 shotgun mics for a house of worship. I called Rode and spoke to them which model I needed and they recommenced this one, and they were not wrong. The pattern is very tight and has great rejection for of axis sound. they are very sensitive and do not much gain and fader control. I purchased 4 of them and am very satisfied. I bought the from a company in Tennessee.

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The RODE NTG1 is a new, lightweight condenser shotgun microphone, specifically designed for professional applications within the film, video, television, voice-over and ENG industries. The NTG1 provides an electronically balanced output stage and operates on 48V phantom power. The NTG1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. The NTG1 is extremely lightweight making it ideal for mounting directly to video cameras (with optional accessories) or a boom pole. The NTG1 comes complete with a stand mount, zip pouch and windshield. The supplied windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. RODE NTG1 Features Broadcast sound quality Low noise circuitry Condenser transducer Rugged metal construction Low weight: 105 grams approx. (3 oz.) Low handling noise Supplied with stand mount, zip pouch and windshield AmericanMusical.com is an authorized dealer of Rode products.

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Rode NTG2 Condenser Shotgun Microphone Review

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(More customer reviews)I purchased the NTG-2 as a voiceover mic to use for audiobook production and VO recording. I'm running the mic through the preamps on an M-Audio ProjectMix I/O and into Pro-Tools M-Powered 8. I run the incoming signal through the Waves SSL Channel plugin for some light compression, and that's it. I rarely need to EQ.
The resulting tone is clean and clear without being too intimate. If I get too close, it tends to get a little boomy and the low-mid ranges are a touch muddy. However, if I position the mic about 12-18 inches from the mouth of the VO artist, and slightly above the axis of the mouth, the sound quality is stellar. On male voices, in particular, the mic lends a depth and warmth that is often desirable for certain types of voice work. As would be expected with a mic of this type, the proximity effect is fairly pronounced.
Being a shotgun mic, it does an excellent job filtering out much of the background noise if your space is not sound-proof. (For instance, I'm using a small booth in which one wall is an exterior wall with very little sound insulation. Even when cars and trucks drive by, the mic won't register the sound.) It's an excellent choice for small project studios in homes. The mic does a good job of not catching every single saliva slurp or tongue noise while keeping the voice sounding natural.
The included wind screen is a little on the wimpy side, and it's unfortunate that the mic doesn't come with a shock mount...but that's not uncommon for mics in this price range. Likewise, I wish the mic had come with a decent hard case rather than the pleather zippered pouch that comes with, but again, that's not uncommon in this price range.
I've used four very different mics for VO work: a Studio Projects C100 Large Diaphragm Condenser, an AKG C1000 small diphragm condenser, a Heil PR40 Large Diaphragm Dynamic, and the Rode NTG-2. I was using the Heil almost exclusively until I got the NTG-2. Now this is my first-call mic for 80% of my VO sessions. For the price, it really can't be beat for high-quality spoken word recording.
Pros:
* Great Mic for the Price
* Narrow Pickup Pattern to reduce noise
* Clean and clear tone
* Natural sound
Cons:
* Can get a little boomy in low-mid ranges if speaker is too close
* Pronounced proximity effect
* No shock mount/case included


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The RODE NTG2 is a new, lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. The NTG2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V phantom power. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG2 the perfect choice for film, video engineering and voice-over work. The NTG2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. AC_FL_RunContent( 'codebase','http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,28,0','width','330','height','220','title','Rode NTG2 Condenser Shotgun Microphone','src','http://www.americanmusical.com/ItemFiles/Flash/RodeNTG2','quality','high','pluginspage','http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash','movie','http://www.americanmusical.com/ItemFiles/Flash/RodeNTG2' ); //end AC code The NTG2 comes complete with zip pouch, sta

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Behringer DDM4000 DJ Mixer Review

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(More customer reviews)I've been doing studio work for several years now and
I was scared to buy this mixer, because of the name Behringer.
I checked it out at Sam Ash and guitar center for several weeks,
and I was still hesitant.
On microphone input it has 3 band EQs, compressors/limiter Noise gate,
Talk on (Music ducking) reverb, Pitch, Echo and a list that runs a mile long.
The line input has beat counter that syncs to the build in effects echo, reverb, Pitch, This is great for reggae and club music.
Some of the other features are the 32 Second Sampler, Crossover, sub- output, and enhancer, S/PDIF, MIDI in and out and it comes with rack ears. This mixer should cost thousands of dollars for what it can do.
I'm currently trying to set up the Midi control commands for Serato and apple Logic pro.
I used to be scared of Behringer, but after seeing this mixer, I'm checking out all their products with a different view.


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The DDM4000 is a state-of-the-art 32-bit digital DJ mixer, jam-packed with creative tools, yet its intuitive layout will let you feel at home in an instant. Editing, storing and recalling your settings is simply a breeze! Hook up your turntables and CD/MP3 players to its 4 stereo channels, each with fully programmable EQ and Kill switches. Put ultimate versatility at your fingertips with fully programmable beat-sync'able multi-FX modules, a pair of high-precision BPM counters and a digital crossfader with custom curve adjustment. And the super-cool BPM-sync'd sampler with real-time pitch control, loop and reverse functions will make your crowd go wild.

Choose Your Channel The DDM4000 struts 5 independent channels. Channels 1-4 are crossfader-assignable stereo channels, suitable for both vinyl and CD decks, and have appropriate phono/line level toggle switches at the input. All channels feature 3-band digital EQs with up to 12 dB of boost and infinite cut option, or "kill." Any channel can be monitored directly via headphones thanks to the PFL switch above the fader.
A dedicated Mic channel is provided in mono, with 2 XLR mic inputs. The vocal channel features a special "talk" feature that attenuates the volume of the other 4 channels, ensuring you will be heard over the music. The Mic channel also has its own FX section that can be applied with a single button.
Cross My Heart The core functionality of any DJ mixer lays in its crossfader. The DDM4000's crossfader can be assigned to any of channels 1-4, and sports a 3-band EQ kill button on either side. The curve sensitivity of the crossfader is adjustable, and in the unlikely event that you wear it out, the crossfader itself is replaceable.
Step Up Your Sampling The DDM4000's BPM-synced sampler is a sought-after addition. The sampler allows you to record a segment of incoming audio and loop it continuously without dropping the beat. Once your track is looping from the sampler, you can swap discs and queue up new tracks and mix them back in. The transition is seamless!
Effects The DDM4000 features a stunning dual FX section that includes our patented BPM counting technology. This allows the mixer to read/display the BPM of 2 different inputs and to apply BPM-synchronized effects, such as an echo synced to the beat of the music. Effects such as bitcrusher, reverb, delay, pitch shift, and more are available, and can be assigned independently to multiple channels.
The DDM4000 is ideal for a club owner who has multiple working DJs performing on a recurring basis. User preferences like fader curve, FX settings, EQ, kill frequencies, etc., can all be set to various user accounts and recalled instantly. This feature can eliminate setup time between DJs altogether!
Swimming Upstream When you combine the DDM4000's digital operation with MIDI functionality, the door to creative applications opens REALLY wide. For example, the mixer can be used as a MIDI controller for your favorite DJ software--or whatever else you like! Channel faders, EQ knobs, and button presses can all be configured to send customized MIDI data. The possibilities here are quite endless.
What's in the Box Behringer DDM4000, Power Cable, Rack Mount Brackets, User's Manual

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Behringer DJX700 Professional 5-Channel DJ Mixer with Digital Effects and BPM Counter Review

Average Reviews:

(More customer reviews)this was my first mixer, in my DJ'ing Business. i use this thing ALL THE TIME! ive had it for over a year, and have nothing to complain about. great item! no problems!
so worth it!


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The PRO MIXER DJX700 is a professional 5-channel DJ mixer with great features for club-worn veterans and starry-eyed newbies alike.

Five-Channel DJ Mixer The DJX700 features four dual input stereo channels, and 1 ULN microphone channel with "on air" switch. A dedicated effects loop is ideal for connection of external devices (sampler, reverb processor etc.), and the adjustable crossfader curve lets you adjust for all mixing styles.
Three-Band Kill EQ Dial it in with a three-band kill EQ (-32 dB) and precise level meters with peak hold function on each channel.
ULTRAGLIDE Faders The faders are the heart and soul of every mixer. With their 500,000 cycles life expectancy, Behringer's high-grade 45-mm ULTRAGLIDE faders outperform standard faders more than twenty-fold. VCA (Voltage Controlled Amplifier) technology goes hand in hand with our faders--audio signal does not run directly through them; instead, the faders only provide a control voltage to the VCAs. The advantage: practically no audio noise caused by mechanical wear.
Built-In Digital Effects Your crowd will be astounded by the 47 breathtaking digital effect presets in 24-bit quality: delay, reverb, flanger, filter, panner, ultrabass, exciter, Vinylizer, voice changer and more. Your audience will be astounded, but they'll never have to know your secret.
Track-Matching Tools Matching tracks is an art in itself. It takes countless nights of practice before you can truly say you have it under your belt. With the intelligent BPM counter, Behringer take a lot of the guesswork out. Features like SYNC LOCK and BEAT ASSIST help you seamlessly align two tracks without having to rely solely on your ears.
Surround Function Behringer also gives you the awesome XPQ 3D surround function. It widens the stereo image and adds life and transparency to your sound--it's a great way to put a unique finishing touch to your sound and make it feel bigger and wider.
Low-Noise Preamps You work either with CDs or vinyl--sometimes both--and they all induce their own noise into the mix. The last thing you want is to pile even more mixer-originated noise on top of that. That's why all of Behringer's DJ mixers incorporate the improved ULN (Ultra Low-Noise) preamps: what comes in comes out, with nothing added. So you get maximum headroom, minimal noise and ultra-transparent sound.
What's in the Box Behringer DJX700 DJ Mixer, Power Supply, User's Manual

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Pro Tools Mbox Mini (3rd gen) Review

Average Reviews:

(More customer reviews)First let me say, I have no idea what the other guy is talking about. I just got my Mbox Mini the other day and had zero issues installing the program.
As for using the Pro Tools, it can do everything and sets the standard. I wish it came with more plug-ins, but those that are included cover all aspects of sound production. I was surprised to see a trimmed-down Guitar Rig 4 plug-in included.
While the learning curve for Pro Tools is steep, once you get the hang of it, there isn't anything it - and you, can't do!

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Professional around the world have long been using Pro Tools recording systems to create award-winning music and sound for film and TV.Now you can get the same professional results in your personal studio with Pro Tools Mbox Mini - a complete, integratd, computer-based music creation and production system.The ultra-portable Pro Tools Mbox Mini features everything you need to easily compose, record, edit, and mix music-including studio-standard Pro Tools LE software.You get over 70 stunning effects and virtual instrutments, plus other tools and features to help you create music quickly and easily.Mbox Mini also delivers premium sound quality, plus rock-solid compatibility with nearly every popular audio recording application.

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Mackie Onyx Blackbird Premium 16x16 FireWire Recording Interface with Tracktion 3 Music Production Software Review

Average Reviews:

(More customer reviews)I don't have this unit, although I'm strongly considering purchasing it. In Googling and talking to people who have spoken to Mackie customer support, the Mackie Onyx Blackbird runs well if it uses a SIIG FireWire 2-Port PCIe (NN-E20012-S2) and can run poorly or not at all with firewire cards that are not supported. Check with the recommended hardware and other specifications before you purchase this.
The Onyx preamps are the same as in the Satellite, and although I have not used them, several of my recording engineering friends, including some who write for EQ Magazine (which is going to be bundled in with EM Magazine next month) find the preamps to be open sounding and transparent with a lot of headroom. And the rest of the feature set, including ADAT lightpipe I/O (you can connect an Apogee Rosetta 800 or other A/D & D/A converter to it and dramatically increase your I/O), RCA coaxial S/PDIF, and the rest is quite strong for $499. So like I say, I'm strongly considering purchasing this to run with a Mac Pro and Pro Tools 9.
Anyway, I hope this helps people sort this all out.


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Mackie's Onyx Blackbird Premium 16x16 FireWire Recording Interface delivers industry-leading recording quality via eight boutique-quality Onyx preamps and high-end 24-bit/96kHz conversion in a sleek rackmount design. True analog hardware monitoring, in both mono and stereo, provide simple zero-latency recording, while onboard word clock and 8x8 ADAT I/O allow for ultimate expandability. Two front panel Super Channels provide quick access to crucial recording tools and the powerful Blackbird Control DSP Matrix Mixer allows for quick mix creation and routing of any input to any output. Plus, since it works as a standalone 8-channel preamp rack, Blackbird offers a single box solution ready for integration into your studio or digital live setup. Mackie Onyx Blackbird Firewire Audio Interface Features Eight boutique-quality Onyx mic preamps with class-leading fidelity and dynamic range High-headroom design with ultra-low noise and distortion Professional 16x16 24-bit/96kHz recording/playback Flexible FireWire routing 8x8 ADAT I/O for ultimate expandability Onboard word clock I/O for studio and live integration Acclaimed JetPLL jitter elimination technology High-end Cirrus Logic AD/DA converters with 114dB dynamic range (A-weighted) Compatible with most major DAWs Logic SONAR Cubase Ableton Live Final Cut Pro & 160 and more Powerful and flexible Super Channels Front panel connectivity for easy access True analog hardware monitoring of inputs, in mono or stereo, for easy zero-latency recording 80Hz low-cut switches

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Zoom H4 Handy Recorder Review

Average Reviews:

(More customer reviews)I got both the Zoom H4 and the Edirol R-09. The Zoom goes back, the Edirol stays, even though the Edirol cost $100 more.
Why, then, 4 stars for the Zoom? I'd really like to give it 3-1/2 stars, so it was a tossup between 3 and 4. However, if you know what you are getting into, the 4 stars are well-deserved.
The Zoom has a huge variety of features that the Edirol lacks. The Zoom may even sound the slightest bit better (more open, slightly better high end) when both are used to record with their built in mics. However, this functionality comes with a price--a much more complicated interface.
The Zoom does everything. It records directly to wav and mp3. It's a 4 track recording studio. It serves as computer interface for your guitar. It serves as an effects box. It can emulate four different types of microphones, such as the Shure SM57 and the AKG C414. It's even got a built-in metronome and tuner! If you go to the Samsontech website, you can download the manual in PDF format and be truly amazed.
In order to do all this, the Zoom H4's buttons and controls must necessarily be multi-function. On top of that, it adds a jog dial (like the wheel on a mouse: slide in either direction to change menu choices, push to select the current choice). It is necessary to go two levels deep in the menus to set recording levels manually. The Edirol R-09's interface is so simple and intuitive that many could use it without even looking at the manual. Since all I was looking for was a recorder, the Edirol was the easy choice for me.
The Edirol is quite rightly criticized for how awkward it is to insert and remove batteries. In theory, it's a lot easier to do with the Zoom H4. In practice, I found it just as awkward. I found the SD card much harder to swap out of the Zoom H4 than out of the Edirol R-09.
The Edirol R-09 has four very small rubber buttons on the back. They're too small to notice until someone bumps the surface the recorder is sitting on and the unit doesn't move! The Zoom unit has one rubber button on the back but it didn't seem to grip much.
As the side-by-side photo I uploaded shows, the Zoom H4 is a bit larger than the Edirol R-09. I did not find the H4 so much larger as to be a burden. I did find the Edirol's screen easier to read, however!
One other thing worth noting in the picture is the microphones. A quick glance gives the impression that the way the Zoom's microphones extend from the body makes them particularly vulnerable to damage. However, a closer inspection shows that there is a very stiff thick wire surrounding them, like a sports car's roll bar. They may even be better protected than the Edirol's microphones. I could imagine a problem if the Edirol were grabbed from the sides at the top in a forceful way to remove it from a carrying case.
One other Zoom plus: The Zoom has a true automatic gain control, where the Edirol's is a compressor circuit. The Zoom prevents clipping at high volume where the Edirol boosts low volumes without guarding against clipping.
A Zoom minus: Both devices have level meters. The Zoom has no peak indicator that I could find. The Edirol, in addition to its meters, has an impossible-to-miss LED that blinks when the unit peaks. This makes it very easy to adjust levels properly by using Up and Down buttons on the side of the unit, which can be done even while recording.
One final comment that won't mean much except to other die-hard MiniDisc users who stuck with the MiniDisc despite its shortcomings because its fidelity is so good. The Edirol R-09 is the unit that got me to finally abandon the MiniDisc. If you're a MiniDisc user looking for the features in the Zoom H4, I suspect you'll be very happy to abandon the MiniDisc in favor of the Zoom H4.

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The Zoom H4 Handy Digital Recorder fits in your palm and is ideal for recording live musical performances interviews podcasts meetings classes and seminars. The H4 allows you to record 24-bit/96 kHz digital audio as well as in MP3 format with bitrates up to 320kbps.

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Rode Procaster Broadcast Dynamic Vocal Microphone Review

Average Reviews:

(More customer reviews)Like many podcasters out there I've been using the AT2020 Condenser microphone, complete with a shockmount and pop filter for over a year now. I've had great success with it, however the environmental noise has always been a constant battle, even echo from my own voice within the environment.
Looking at the Rode Procaster I was concerned that because it wasn't a mic that required phantom power that it wouldn't be able to pick up all the intricateness of vocals during a session. I was wrong. The Rode Procaster sounds amazing, even without a tube preamp or compression being utilized.
The first test I performed on the Procaster was simple. I kept it in the same recording environment as my AT2020, but I made sure the dryer was running in the laundry room and my surround sound in the living room was playing as well. My Procaster, thanks to the tight cardoid pickup pattern, couldn't pick up the noise from the other rooms. I would have those turned off and my AT2020 would still pickup noise from the air conditioning or even the fridge running. Don't be alarmed when switching from a condenser to the Rode Procaster, or any dynamic mic for that matter. You will have to crank the gain up a lot more than what you have before.
If you are constantly battling poor acoustics or environmental noise and you want a professional broadcast quality sound, this mic is the one you want.
Pros:
-Solid Construction. It's built like a tank.
-Comes with a 1 year warranty, free upgrade to 10 Year warranty through rodemic.com
-Mic Stand clip is also solid.
-Sound quality is amazing.
-Noise reduction is unmatched.
-Very Low self-noise (less than any other mic I've used yet, including the MXL 007 USB, AT2020 USB, AT2020 XLR).
-Looks professional.
-Nice pouch included for transport.
Con:
-No bundles yet available to include a shockmount
Oh and one last thing, when was the last time you bought a mic and saw a handwritten quality checklist in the box? Amazing attention to detail and quality from Rode Microphones. Highly recommended.


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Designed as a no-compromise microphone for On-Air broadcast use, the Rode Procaster Broadcast Dynamic Vocal Microphone is one of the ultimate broadcast quality mics for the 21st century. Featuring a tight polar pattern and tailored-for-voice frequency response, the Procaster is perfect for every application where a great sounding, rugged microphone with superior ambient noise rejection is demanded. Plus, the Procaster is affordable and features an internal pop-filter to reduce plosives. Includes stand mount, 3/8 inch adaptor and zip pouch. Rode Procaster Features Broadcast quality sound High output dynamic capsule Balanced, low impedance output Internal shock mounting of capsule for low handling noise Internal pop-filter to reduce plosives Robust, all metal construction Designed and manufactured in Australia Ten year warranty Includes RM2 stand mount 3/8 inch adaptor ZP1 zip pouch AmericanMusical is an authorized dealer of Rode products.

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Rode Podcaster USB Dynamic Microphone Review

Average Reviews:

(More customer reviews)For recording my voice (baritone), it does a great job. For extra warmth that means close-miking, which in turn means not popping your p's, etc. If you hold it close to your mouth but don't directly face it end-on, that's easily done (or get a pop filter). [...].
The microphone electronics are extremely quiet - the audio is sampled at 18 bits.
It comes with a warranty which is easily extended to 10 years for free.
The real-time headphone monitoring is a great idea and works well.
It's a bit heavy (part of being built like a tank), and you need to think a little about how you're going to mount it, since some cheap desktop stands can barely manage it.
Some things to keep in mind are:
1) It likes close-miking (at least for male voices)
2) It is USB-only
3) It is a on the bit large and heavy side.
If those don't bother you, and the price is in your range, then you will probably like it a lot.

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The Rode Podcaster is the easiest way to record high quality vocals or audio on your computer and upload them to the world.Seamless integration was the idea, and it was obtained by creating a studio dynamic microphone with unparalleled A/D converters, so that the microphone can be plugged into any computer with no in/out boxes, no expensive computer pre-amps, just a USB cable.The Podcaster offers an end-address configuration, the clarity of RØDE's tailored-for-voice frequency response, an ON L.E.D, a direct headphone amp, and of course very low self noise.The Podcaster opens up possibilities for anyone who records audio from podcasters, journalists and students to business people adding audio files to websites and multimedia presentations.

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