Bose L1 Model II System Single Bass Package Review

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(More customer reviews)I have worked as a mobile DJ since 1980 in the Pittsburgh area, and for most of that time, I used two Bose® 802 speakers (the pro version of the 901s) and the 302 acoustimass bass enclosure (which weighs 115 pounds). There was never a doubt that I had the best sound possible.
However, I tore a rotator cuff lifting the 302 into the car a couple of years ago; the system was just too much to load and unload, what with the speakers, two amplifiers, mixer, etc.
In January, I discovered the Bose® L1 Model II sound system. It is light, compact, and efficient, and it delivers incomparable sound that rivals the 802/302 system pushing 1600 watts but without the weight and clutter of cables, etc.
For DJ applications, I highly recommend getting two B1 bass units to deliver the kind of bass that carries into the room and which would be suitable for dancing.
If you are using the system as a single performer, then one B1 unit might be sufficient. However, my experienced friends have told me that this system does not work as well as some other systems with DRUMS. For that use, you might want to consider a different set of speakers, especially subs.
When I set up my L1 with two B1 bass units at a venue, the first "test" song I play is Billy Joel's "Innocent Man." If you're familiar with it, you know it starts off with dynamic bass. Then the high register kicks in, and the L1 system produces such spectacular sound that at every single gig I've done with them, someone--waitresses, bus boys, caterers, hall managers--comes over immediately to rave about the sound. One of the most frequent comments is "I can't believe how CLEAR the sound is!"
For what I do (weddings, corporate parties, reunions, etc.), it's the ideal system. Cocktail hour and dinner music, which have to be low enough to allow conversations to be carried on at tables, was always a problem. In the past, people near the speakers thought it was too loud, while people in the back of the room couldn't hear the music clearly at all. Now, though, I can set the volume, and that volume is pretty much the same if you're standing 10 feet from the speakers or 75 feet from the speakers. There is a very slight falloff in the sound volume after the first 100 feet, but even at that, it still carries well. Even though I've been doing this for several months now, I'm still amazed at how even the sound coverage is.
When it comes to the dance music, the volume doesn't have to be as "loud" as it had to be with the 802/302 system. When I fired those speakers up, there was always a "hole" on the dance floor in front of the speakers because the volume was so high it would make your ears bleed (OK, so it wasn't that loud--but it was loud!). With the L1 system, the sound carries so well that the volume doesn't have to be set at the "make their ears bleed" level. I can set it for the "right" sound for the dance floor, and it carries all the way across the room at the right volume. And people dance right next to the speakers. I was surprised to see that, to tell you the truth, and I even took a picture in May of the parents of the bride dancing about 2-3 feet from the speaker system.
A nice feature for me is the fact that the amplifiers are built into the pedestal base unit that holds the cylindrical tower (two speaker sections that fit together rather securely in a seven-foot high tower). The amplifiers are created by Bose precisely for these speakers. The cylindrical tower contains 24 matched speakers that are placed at specific angles within the tower to create that 178-degree horizontal "throw" of the speakers. The amplifiers sense how many B1 units are connected and properly direct sound and power to them.
Lots of "stats geeks" have trouble with Bose® speakers because they are into amplifier wattage, speaker capacity in terms of "power," etc. However, if you understand that Bose is engineering the sound of these speakers in a new way, then you'll understand that the sound is not directly reliant on some of the "old" measures of powering speakers. The bottom line is the sound your ears hear, which is the truest test of any speaker system.
If you buy this system, I recommend the Bose® ToneMatch® audio engine to go with it. It has three microphone inputs that have universal inputs (either XLR or 1/4 inch jacks), and a fourth input that accepts two 1/4 inch jacks (either balanced or unbalanced). Stereo sources can be connected here, so that solves the "stereo iPod" problem mentioned by another reviewer. There is also another connection, a direct USB connection, which will accept sound (either stereo or mono) from a computer. I use my laptop and a firewire drive, and all the music comes through the USB port into the ToneMatch® audio engine. Another benefit of the ToneMatch® audio engine is the large number of "presets." The presets will tailor the sound of the system to fit various microphones; a wide variety of instruments; and pre-recorded (DJ) sound sources. There is a "Low Volume" preset that is nice for dinner music, for example, and a "high volume" preset for dance music that eliminates the tinny highs and midrange, and the sometimes muddy bass sound that is often produced by sound systems when they are pushing the higher power outputs.
I recently did an outdoor venue for a Car Show and had to cover a huge area with sound. I used one Bose® L1 Model II with two B1 units and one Bose® L1 Classic system with two B1 units (I picked that up "used" as a backup for the Model II and for use in larger venues). I pointed one system up the hill into the wind and the other system downhill with the wind behind it. The "uphill" sound carried very clearly for about 70 yards, after which it was audible but not crystal clear. The "downhill" sound carried 120 yards with no hint of falling off. That answered my question, "Will this system provide enough sound for a large venue?" Last year I played that same venue with my Bose® 802/302 system (1600 watts pushing it), and the comments I heard this year were that the sound was much better this year and it was clear all over the area. Take it for what it's worth.
Bottom line evaluation for who should/can best use this system:
* For single performers, this is outstanding.
* For DJs, this is outstanding.
* For live bands trying to use more than one or two performers per system, this may not be your best choice unless you get one system per performer.
* For drums, this might not be the best audio solution unless you have four B1 units.
* For small venues, this system may have no equal.
* For larger venues, an additional system might be required to cover the entire area.
* While I have not had this concern, other DJs have reported that it is helpful to elevate the system to get better "throw" over a crowded dance floor. (Lots of bodies will absorb sound.)
Bottom line evaluation for the system itself:
* For portability, sound quality, and ease of setup, this is outstanding.
* For clarity and range of sound, this is outstanding.
* For bass reproduction at high sound levels in very large venues, this system is average with two B1s; below average with one B1; and slightly above average with four B1s.
Overall, I give the Bose® L1 Model II system (with TWO B1 modules) the top rating, 5 out of 5.

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The premier Bose L1 loudspeaker system for musicians_with our smoothest, most consistent sound coverage and most powerful tone-shaping tools. Lightweight and modular, this sleek system fits easily into a car trunk and takes just a few minutes to set up.

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Numark NS7 DJ Turntable Controller with Serato ITCH Software Review

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(More customer reviews)Coming from a turntable and vinyl background, I was and still am excited about this product. I purchased it and have been very content. The unit is about 35lbs. and VERY solid. I have to get use to scratching on it compared to turntables. The platter should have been made 9" but I'm taking it in stride. All crossfaders have a quality feel, no static and the scratch curves feel as good or better than my Rane TTM57sl.
My only complaint is that Numark did not future-proof this unit with effect buttons. I find the software (Serato iTch) and mixing is (CURRENTLY) a little more boring than Serato Scratchlive and my 57 mixer. Serato is supposedly working on effects and making iTch's software closer in features to Scratchlive.
I purchased the Numark case with the unit and REALLY love doing mobile gigs now. No more individual TT cases and mixer cases. No more RCA and ground wires and at least 15 minutes less setup time. I'm saving close to 70 lbs. in travel weight too. One bit of advice is to be wary of using PCs with this unit. I have a Unibody Macbook Pro 2.66Ghz but struggled making a Core2-Duo 2.2Ghz 4GB ram PC work "glitch-free" with the NS7 and iTch. It had quirky behavior while tracks were playing, random stops and various audio dropouts. Many PCs will (by default) have IRQ sharing which can hose up USB connectivity (the main source of NS7 communication to your laptop) if there are conflicts.
In troubleshooting, I had to insure bluetooth, anti-virus, firewalls, NIC cards, screen savers, wireless Network cards, on-board video and all sorts of services were disabled on the PC (a TOTAL administrative nightmare!) and still ended up having to run the latency at 5ms or greater for decent performance. My mic had major echo delay with this setting so enough was enough.
I purchased the MBPro and have not had a SINGLE glitch since. My latency is at 1ms AND I can run apps in the background while DJ'ing without problems. I highly recommend the NS7 (with adequately powered MAC) for any mobile DJ.

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Designed in collaboration with Serato, the Numark NS7 DJ Turntable Controller combines an all-metal chassis with adjustable torque, motorized, aluminum-turntable platters, vinyl, and a professional audio interface to deliver a complete performance solution that will satisfy even the most hardcore turntablist.
It offers a full complement of premium faders, knobs, buttons and the new Strip Search virtual-needle-drop control, which integrates seamlessly with the included Serato ITCH software. The NS7 delivers hands-on control of every aspect of Serato ITCH and sends data to the software more than ten times faster than standard MIDI resolution. And because it was designed for ITCH, NS7 setup time is the bare minimum--no tweaking, no mapping; just plug and perform.
The NS7's dual decks flank the mixer section. Its recognizable, professional appearance is supported by clean design in matte and glossy black. The entire unit is housed in a heavy-gauge, industrial-strength metal casing that is ready for the torture of travel.
Key Features
High-resolution controller built for Serato ITCH and compatible with Scratch LIVE libraries
Direct-drive, motorized turntable platters with classic and modern feel settings
Includes Serato ITCH DJ software, fully pre-mapped
Audiophile-grade audio circuitry with mic and line inputs, system and cue outs
Extensive loop, cue, and track-access controls
Strip Search (patent pending) virtual-needle-drop control
Controls most MIDI applications without requiring a mouse or keyboard
Rugged, all-metal construction
High quality, replaceable, customizable CP-PRO crossfader and D-TYPE line faders
Support for Whitelabel.net files in ITCH
Mix using either 33 RPM or 45 RPM speeds

Perfect Feel The NS7 has two seven-inch, motorized, high-torque aluminum turntable platters, and the turntable controls feature modern and classic settings that alter the feel to model the feel you prefer. Seven-inch, legit vinyl records with 45 RPM adapters sit on real slipmats--no simulation.
Solid, rugged, rubberized buttons and knobs compliment a high precision, replaceable CP-PRO crossfader and D-TYPE line faders for an unquestionably high-quality feel. The CP-PRO digital-VCA crossfader has a solid feel that is smooth and rigid. Like the crossfader, the D-TYPE digital-VCA line faders are replaceable. The crossfader offers contour adjust and reverse adjustment, enabling you to customize its operation.
System Simplicity Forget the mouse and the keyboard. The NS7 renders ITCH software perfectly simple to operate, with its click knob and large, backlit buttons navigating though your music library. You'll spend less time looking at the screen and more time enjoying performing thanks to the visual feedback you get from NS7's more-than 100 LEDs and more-than 100 hands-on controls.
A single USB cable between NS7 and your Mac or PC is all you need to send audio and data back and forth. The NS7 has onboard audio outputs so it's the only piece of gear you need to connect to the PA system or powered speakers. It outputs 24-bit, 44.1 kHz digital audio to the sound system on XLRs and RCAs. The front panel contains mic input, RCA line input, and both 1/4" and 1/8" headphone outputs with volume control.
The NS7 comes with an integrated laptop stand that supplies safe, secure mounting for your laptop. You can use an ultra-small space because NS7 elevates your laptop off the table.
Precision Control The NS7 sends control information over USB at more than ten times the standard MIDI rate. This innovative communication technique yields extremely high-precision, low-latency control.
There's nothing like dropping the needle on a record for quickly locating a point in the track, and with Strip Search--the unique virtual-needle-drop touch strip--you can locate a point instantly within the track using the on-screen waveform
Five hot-cue-assign buttons on each deck digitally mark your cues on the track. These marker points are recallable in ITCH and Scratch LIVE, and you can load Scratch LIVE cue points in ITCH.
Each deck offers an extensive Serato-style loop section, and you can choose between manual and auto-loop functions and an automatic BPM analyzer further assists loop makers. Creating automatic smart loops of any measure length is a breeze, and you can mutilate and modify to heart's content with a variety of controls such as Doubling, Halving, Shift, and manual controls.
Audio Quality The NS7 contains a host of professional audio connectors and a multichannel, 24-bit USB digital-audio interface. The high-definition post-mix analog audio output features a minimized circuit path with containing only one audiophile-grade bipolar capacitor. This optimized design maximizes phase coherence, ensuring that audio is tight and punchy.
Serato ITCH Software IF you use Scratch LIVE, you'll become quickly familiar with Serato ITCH. Because ITCH doesn't require a timecode interface, your system can be as simple as, say, NS7 and your computer. Since ITCH makes timecode a thing of the past, you won't need to worry about needles skipping or vinyl wearing out. You can load your Scratch LIVE crates, loops, presets, and cue points seamlessly in ITCH. The NS7 also works with most other MIDI DJ software and supports iTunes.
ITCH handles audio processing and mixing including channel fading, EQ, crossfading and track trim are processed for outstanding control and management of your tracks, ease of recording your set, clip-proof gain management, and BPM calculation using the power of your computer's processor.
The History function in ITCH keeps a comprehensive record of every track played and exports sessions from your history to 'txt', 'csv', or 'm3u'. ITCH also has a Loop Roll function that provides a looping effect where the playhead jumps back to normal time when you release the loop. Built-in key support ensures that ITCH reads key tags from MP3 files and displays them in the 'key' column in your library.

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Numark Virtual Vinyl 5.0 Computer DJ System Review

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(More customer reviews)Numark is a very well equipped brand for concepts. They have been pioneers or the digital industry. Most of their products are indeed concepts and and made to fall apart. The DJ box has been endorsed by famous DJ's like DJ Muggs, and a few other Eurpoean DJ's but the quality is crap. The timecode connection is the most unstable connection I have ever used. Numark Cue is just Virtual DJ with a Numark skin. I have been kicked out of gigs trying to get this product to work at huge night clubs and high end venues. I love the concept of this product but the quality is just not their. Numark is just not their. I have a pair of CDX's that needed new motors, when I placed my order Numark customer service (after a week of waiting) said they no longer sell motors for CDX's and I have to purchase a new unit. Numark is a cheap company who puts garbage quality internal parts and sexy outer bodies with futuristic LED's and digital screens. I have been a rapper, DJ, and producer in the making for 10 years. Don't buy this product. Numark makes ok mixers and the CDX and TTX are the only decks would consider from them. Take my advice and for the greatest DJ service around call (325) 261-2191.

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VIRTUAL VINYL is the Digital Vinyl System for DJs who love the feel of 12-inch vinyl or CD decks and the flexibility and creative possibility of mixing audio and video. This is high-performance, no-nonsense power thanks to VIRTUAL VINYL's marriage of control vinyl on your turntables of choice and CUE software. Just load tracks from your virtual crates to the software decks and cue, mix, and scratch on your turntables or CD players of choice. VIRTUAL VINYL includes everything you need to get started: two timecode vinyls, two timecode CDs, the VIRTUAL VINYL interface box, and CUE software, and all the cables you need to make it work.

Your System You're the DJ. That means you're in control of the vibe, the energy, the heads and hips on the dance floor. So why not be in control of your rig? VIRTUAL VINYL is the perfect system for DJs who like to be in the driver's seat. You can use the VIRTUAL VINYL system with virtually any turntables or CD decks--one or two. Plus, you can use it with your choice of Mac or PC, and you can even customize the actual appearance, layout, and feel of the software to suit your needs, taste, and style. You can select Basic, Power Audio, Internal Mixer, and Full Audio and Video for the setup that's right for you.VIRTUAL VINYL's interface box is all the hardware you need to connect everything. This compact unit has two phono/line switchable RCA inputs, two passthroughs, and three pairs of outputs so you can create whatever custom configuration you need to perform your mind's masterwork. The VINRTUAL VINYL box connects to your computer with standard USB.
Complete Compatibility VIRTUAL VINYL's CUE software has zero-latency virtual decks that you seamlessly control with either the traditional vinyl DJs have relied upon since the beginning or the CD players you know and love. You can play directly from a CD or from a variety of digital audio files including MP3, MP3Pro, MP4, M4A, WAV, AIFF, DVD, WMV, CDA, WMA, ASF, OGG, and iTunes ACC (non-DRM). On the video side of things, CUE handles DVD, VOB, DIVX, MPG (1, 2, 4), AVI, WMV, and Karaoke (CD+G) files with ease. CUE also supports VST plug-ins and is compatible with virtually any MIDI controller.
Masterful Mixing VIRTUAL VINYL empowers you to mix, scratch, and interchange audio and video for traditional or multimedia performances. See the visual waveform of the track in CUE's Rhythm Window for flawless mix accuracy. You can pitch tracks up and down with or without Key Lock, which holds pitch while you independently adjust the BPM.
Quickly and easily create seamless loops for on the fly remixes. CUE software gives you instant BPM detection and can assist or even take over pitch matching and beat-matching. You can also integrate BPM-synced effects for creative alterations. Set hot cues and jump around instantly. Sample and trigger your favorite parts and create your own unique performance.
CUE's video and audio mixers contain multiple video transitions and effects. You can also choose from a variety of built-in effects, add VST plug-ins, and create beat-matched loops and samples for on the fly remixes.
If you're playing a karaoke gig, you'll appreciate CUE's automatic CD+G file detection allows that shows all of your karaoke files with a single click.
CUE has advanced, extensive cueing capabilities that enable you to expand your performance beyond the standard. CUE has video on-screen cueing, audio cueing in headphones, outputs to a club's video screens and audio system(s), and even the ability to broadcast video and audio on the web!
Power Search CUE is designed around the basic rule that you can't mix what you can't find. So we made search powerful, fast, and flexible. You can easily search and locate audio and video on your system by searchable by Title, Artist, BPM, Track Length, and even by Comments--nine different tag categories in all! Files are automatically added to CUE's global search database when you add them to your system by downloading, importing, inserting, or connecting them. CUE's smart database management automatically checks your library when you launch the program and fixes any problems it finds.
Vibrant Video CUE has extensive video performance capabilities and works with virtually all formats. You can add powerful effects and text titles. Its video clip player gives you sampler-style playback. There's also a slide show plug-in.
Pro Playback CUE has a series of tools for managing playlists and history. Play History Management automatically records what you played and when. CUE stores playlists in your documents directory for easy management and portability. Plus, it's compatible with crates and iTunes playlists.
What's in the Box VIRTUAL VINYL audio interface, Two control vinyls (12"/78s), Two control CDs, CUE software CD, USB cable, Four audio cables (RCA, stereo), Quick start guide

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Bose L1 Compact Portable Line Array System Review

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(More customer reviews)I am a professional mobile DJ in the Pittsburgh area, and I rely primarily on the Bose® L1 Model II sound system (with two B1® bass units) for my performances. When I need extra boost, I expand my sound by adding a Bose® L1 Classic sound system (the original L1 system) and two more B1® bass units to my Model II system.
However, there are times when I don't need the "muscle" of the full system, such as small venues for birthday parties, outdoor wedding ceremonies, etc. For that, the Bose® L1 Compact sound system is perfect! It will provide excellent sound for 100-150 people. It is an amazingly fast setup and tear-down, and it is light enough to be truly portable. Completely set up, it weighs just 29.2 pounds, so it is great for those tough small venues that have limited space, limited access, stairs, etc.
The sub-bass sound is built into the bottom unit, and there are 1/4" jack inputs for your sound source. The unit is designed to work with the T1 ToneMatch® sound engine (mixer with many presets that can contour the sound nicely). If you are using the ToneMatch, however, be advised that you will have to purchase a power adapter for the ToneMatch. (The ToneMatch is powered from the pedestal base amplifier of the Model II®, but the L1 Compact® will not power the ToneMatch.)
The midrange sound comes from a small, narrow enclosure containing six small speakers/drivers placed at precise angles to deliver sound at a 178-degree "throw" left and right. The sound WILL cover a large area evenly, which is great for those times when the sound has to be softer (dinner music, pre-ceremony music for weddings, etc.). Everyone in the coverage area hears the music at the same volume, which avoids the problem of traditional speaker systems (really loud near the speakers but diminishing volume as you get further away). I was very skeptical of this feature when I first heard about the even sound coverage, but a year and a half of using the Bose® L1 systems has made me a believer. It's sweet!
Another nice feature is that there is a 1/8" stereo input jack for iPods (also works well when sending sound directly from your headphone output of a laptop). This lends a great deal of versatility to the system.
Example 1: I did a wedding reception recently where the father of the bride had a DVD he wanted played after dinner and projected onto a large screen. The location of the LCD projector was quite a distance from my main table, and the hall had not provided for the sound of the DVD show. I brought in the Bose® L1 Compact system and set it up next to the projection table, connecting the sound directly from the laptop that was running the DVD to the Compact system using a 1/8" to 1/8" stereo jack from the laptop to the iPod input on the Compact. The sound was perfect! Far better than any portable speaker system I have heard in the past from photographers/videographers who bring portable sound with them for their PowerPoint shows. It was a simple one-cable connection without anything else.
Example 2: I did wedding ceremonies both outside and inside for crowds of about 150 people or so using the Compact system. I ran all the music from my MacBook Pro through the ToneMatch®. I also connected two Shure wireless mics through the ToneMatch as well (one on the officiant, and one on the groom, which picked up the bride as well.) Additionally, I connected my Sennheiser wireless handheld (for any "emergency" announcements that might have been necessary) through the ToneMatch. This was a more complex setup that involved power for three microphones, one laptop, and the Compact System®.
For both applications, the Compact® delivered great sound and covered the area perfectly. I could not have asked for better sound.
There are two "sides" for input. One side is for line inputs (from mixer, musical instrument, iPod, laptop, ToneMatch®, etc.), and the other side is for a microphone input. Each side has its own volume control, which is crucial if you're a single performer. You can set your voice and instrument levels perfectly. As a DJ, though, I do not use the microphone side, so I cannot comment on how well the two sides work for single performers.
There are two official setups for the L1 Compact®. One setup is to leave the speaker in the base unit (the way it arrives). You would have to put this on a table for good sound coverage. If you used it from floor level, the sound would be muddy. This setup would be perfect if you are supplying the sound system for a keynote speaker at a conference, as an example. The unit could sit on the table next to the podium where the speaker is standing, and the sound the audience would hear would be fabulous--VERY crisp and clean.
The second official setup is to use the two extender sticks to elevate the speaker unit about six feet off the ground, which is the way you would want to set up the unit for full-room coverage for music, especially if there will be dancers!
I saw the unit being used with only one of the extender sticks, which put the speaker unit at "head level" for a seated audience. I don't know why you would use that setup, but it works fine that way (the extender sticks are identical, so there doesn't seem to be any reason you CAN'T use this setup.) Be advised, though, that Bose® does not recommend this setup.
So let's get to the bottom line:
PROs: Compact, portable, sleek. Easy setup with a tiny footprint. Great sound for what it is, delivering full bass, midrange, and highs for up to 150 people. Excellent choice for small venues, whether you are a DJ or a single performer. Great system for speakers at business meetings, conferences, church groups, etc. The sound is crisp, clean, and clear. The bass is far better than anything of comparable size, and the quality of the unit is excellent. This system is what I use for my backup system (to the L1 Model II®). It doesn't take up much space in the car, and if something WERE to happen to my L1 Model II® system during a performance, then I have a better backup system than 99% of the DJs out there.
CONs: While the bass response is very good for the size of the system, it cannot really compare to using two Bose® B1 units with a Model II system. THAT system can provide a chest-thumping bass resonance, but this system would be hard-pressed to do that. Don't get me wrong here: the bass response is very good, but it isn't what you would want for a larger venue where the bass has to carry out all over the area. And, as one should know right up front, it is NOT a unit for larger venues. It is fine for small areas, but if you have a louder, noisier, larger area, the Compact system would not be up for the task.
BOTTOM LINE: If you want terrific sound from a light, portable unit for a small venue, this system can't be beat! If you want a high quality backup system for your main sound system, it would be tough to get a better system with a better sound. If you play larger venues with noisy crowds or if you need a driving bass sound to resonate throughout the venue, then consider another alternative. (And remember, if you use a ToneMatch® sound engine with this, you have to buy the power adapter.)
RATING: Four stars because of its intrinsic limitations. It cannot be a system for a larger venue for 150-200 or more people, but it can be your answer for smaller venues and smaller crowds.
For what it is, though, it is Super!
NOTES:
* Response to reviews: Another reviewer here has stated that there are plug-ins for only voice and guitar, but that is inaccurate (see above for input variety). And as for effects such as reverb, delay, and other effects, those can be created nicely with the Bose® T1 ToneMatch audio engine, as stated above.
* The bass response difference I mentioned above between the Model II and the Compact units is approximately one half octave at the low end, according to Bose. Many people cannot hear the difference, but trained ears can. The limited power and bass response are the reasons I could not give five stars. Still, all in all, a great product!

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Introducing the L1 Compact portable line array system. Carry it in one trip. Set it up in one minute. Fill the room with Bose sound.The L1 Compact system combines conventional PA and monitors into one sleek unit. Positioned behind or to the side of a performer, DJ or presenter, it delivers wide, even sound coverage throughout the stage area and audience-even off to the extreme sides. It's our smallest, lightest, easiest-to-set-up L1 system, weighing just 29 pounds.Big sound. Small package.Now you can have quality Bose sound for almost any gig, event or occasion. The L1 Compact system is small enough to fit in your trunk or back seat, and its innovative modular design makes setup easy and fast. You can arrange it in either a collapsed configuration for smaller spaces or a taller, extended configuration for larger ones. No extra gear to haul. No heavy speakers to hoist onto stands. No speaker cables.A different loudspeakerThe L1 Compact system's slim loudspeaker distributes sound clearly and evenly throughout the room, thanks to Bose Spatial Dispersion technology. The speaker's unusual vertical shape makes it distinctly different from conventional PA speakers_and has a very positive effect on sound coverage. Even audience and band members off to the extreme sides hear the same clear, tonally balanced sound as those in front.The L1 Compact loudspeaker array is smaller than those in L1 Model I and II systems, but it produces comparable horizontal sound coverage. L1 Model I and Model II loudspeakers project sound further with less dropoff of volume than the L1 Compact array.Integrated systemWith the L1 Compact system, you don't have to carry a separate amplifier, mixer or bass cabinet: They're already built in. The system's power stand includes an integrated bass speaker and amplifier, plus a built-in mixer providing a total of four inputs and two outputs.

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Peavey Power Amp 2 Rack 2040W Pr Ch @4OH Review

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(More customer reviews)The Peavey CS 4080Hz is a terrific power amp that will provide clean power and plenty of headroom. I run two of these actually in my PA...one to drive a pair of Yamaha C215V mains and another for monitor/subwoofer duty. It includes Peavey's DDT (Distortion Detection Technology) which will lower the volume when it detects a clipped waveform...but in my experience, the 4080Hz provides so much headroom that unless you set your gain stages all out of whack you're not likely to need the DDT (although it's nice to know it's there). I recently ran sound at an outdoor fundraiser...only had the 4080's turned up halfway and I could hear crystal clear sound a block and half down the street. I highly recommend this amp...they are reliable, powerful and a worthy aire to the legendary Commercial Series amplifiers Peavey built in the 70's.

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Building on the reputation of the world-famous Peavey CS® 800, which conquered the power amp market in the 1970s, the CS® Series is the global standard bearer for workhorse reliability. Over the years, these amps have benefited from some of Peavey's most popular audio innovations, including our exclusive DDTTM compression/anti-clipping protection. With its 2 RU design and power points up to 4080 watts, this latest evolution of the CS® Series is leaner, louder and lighter than ever.

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ART Pro VLA II Tube Compressor Review

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(More customer reviews)This unit was all the rave a few years back in the audio/home recording magazines. And for good reason.
The PRO VLA is a very smooth compressor with good metering. It's easy to get a nice overarching compression ratio for individual channel OR for main mix duties. The stereo link function is nice, but I don't know how useful the panning feature is when it's linked in stereo. I just leave it panned up the middle to keep both channels' output the same.
And kudos to ART for engineering it to be relatively free of pumping and breathing artifacts that plague lesser units.
I've got mine in the main mix insert of my analog front-end/digital back end studio. It's tightened up my mixes and the sound quality has improved greatly, as compared to the other brand name comp that was in the chain previously.
The fact that it's a very sexy looking unit doesn't hurt. The VU's are as sensitive as the ones on my big analog mixer and lend a nice vibe.
I'd put this into the 'why didn't I buy one sooner' pile.
Good stuff!!!

Click Here to see more reviews about: ART Pro VLA II Tube Compressor

The ART Pro-VLA II is a tube driven Vactrol-based Compressor and Leveling amplifier designed to excel in any professional audio application, including tracking, mixing, mastering, live sound or broadcast situations. By using an opto-electronic design, (as opposed to a more typical VCA driven level detection circuit) the Pro-VLA II allows more compression to be added to an audio source with a more natural, musical sounding output and virtually transparent dynamic leveling. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical studio and live sound applications. ART Pro-VLA II Features Vactrol Opto-Compression Design (no VCA) Mastering-Quality Audio Signal Path with Tube Gain Stage Enhanced Link Mode - While in stereo link mode, channel 1 level control acts as a master output level and channel 2 becomes a balance control between them, - optimizing the Pro-VLA II for use as a mastering tool Variable Threshold, Ratio & Output Controls LED Backlit VU Input/Output Level Metering LED Metering Indicates Both Average Level And Peak Hold Accurate Ten Segment LED Gain Reduction Metering +4dBu/-10dBV Mode Switch Optimizes Pro-VLA II For Interface With Professional OR Consumer Grade Components Active Balanced XLR And 1/4-Inch Inputs & Outputs Toroidal Transformer Reduces Mechanical & Electrical Hum ART Tube Compression ART Tube Compressors deliver analog leveling/compression designed to work seamlessly with any recording, sound-reinforcement, and electronic instrument application. Our Tube Compressors excel at making tracks sound rich and full for both live audio engineering and studio recording applications. ART's tube compression circuitry is a hybrid design u

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Stanton C.324 Tabletop CD Player With Slot Drive Review

Average Reviews:

(More customer reviews)I'm DJ Krystoph and I want to review these Stanton C324 cd turntables. I had two purchased new and I used them for about 10 months. So, I am speaking from actual experience. As a DJ I always look for informative reviews on products any of us might buy.I bought these because like most of us I have a normal mans budget and Pioneers just weren't gonna happen. So the C324 seemed a great buy for the time. These players have major issues!!!!Run away from them!
1. They freeze up if they stay paused for more than 60secs...wtf!? I had to turn the unit off and then back on to reset them.
2. Totally inconsistent playback of any burned cds. I tried 6 different burning softwares and no difference. I never knew when they would read and not.
3.tendency to skip and jump on MP3 cds. Have no idea why.
4.Would simply stop playing an hour or two into a set and I would have to do the turn off then on thing again.
Need I say more?
In the spirit of fainess, they always read new store bought cds and the effects work great and all the time. But that hardly out ways the other issues. Thats my real life experience, I hope it helps.

Click Here to see more reviews about: Stanton C.324 Tabletop CD Player With Slot Drive

The Stanton C324 Tabletop CD Player is a must-have for any true CD DJ.This tabletop, slot-loading CD player is designed for MP3 DJs who want to scratch CDs like vinyl, and has everything needed for ultimate performace. With specialties such as MP3 playback with onboard file and folder browsing, onboard pattern and real-time sequencer for drum machine style performances, 7 onboard digital effects, and a sleek slot drive.

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Behringer EurOlive Vp2520 Professional 2000-Watt Pa Speaker with Dual 15 Woofers And 1.75 Titanium-Diaphragm Compression Driver Review

Average Reviews:

(More customer reviews)i went home early to open this package.was so surprised the cabinet has lots of wood chipping and metal grills so badly bent and dented.looks like it has fallen from a truck or badly beat up.all of the tuned duct was not glued..its falling off too.very very disappointed with this piece of crap!also one of the speaker cabinets bottom base wood part is falling off too.poor build quality..also inspected the speakers if it has damage..saw the speaker and looks like a cheap one.so light and magnet is small for this rated power..i think this is only a 100watt speaker.my 10 inch JL audio car speaker's magnet is far bigger and heavier and it is only rated at 200watts.

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Professional 2000-Watt PA Speaker with Dual 15" Woofers and 1.75" Titanium-Diaphragm Compression Driver

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Behringer EPX2000 Professional 2000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology Review

Average Reviews:

(More customer reviews)After thorough research on multiple websites I determined that the Behringer EPX200 was the right amp for my situation. The applied situation for this amplifier is for a fraternity house sound system. So, I emphasize the word rugged in the title, haha. It's been almost a month now and this amp is put through its paces multiple times throughout the week. It's powering two Nady 500 watt speakers and they sound great. This amp puts out plenty of power, and the limiter switch on the back is great because it keeps people from doing harm to the amp or the speakers who don't know how to use it. Seriously, even in a large room, this amp pumps out the sound.

Click Here to see more reviews about: Behringer EPX2000 Professional 2000-Watt Light Weight Stereo Power Amplifier with Atr (Accelerated Transient Response) Technology

Professional 2000-Watt Light Weight Stereo Power Amplifier with ATR (Accelerated Transient Response) Technology

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Behringer DDM4000 DJ Mixer Review

Average Reviews:

(More customer reviews)I've been doing studio work for several years now and
I was scared to buy this mixer, because of the name Behringer.
I checked it out at Sam Ash and guitar center for several weeks,
and I was still hesitant.
On microphone input it has 3 band EQs, compressors/limiter Noise gate,
Talk on (Music ducking) reverb, Pitch, Echo and a list that runs a mile long.
The line input has beat counter that syncs to the build in effects echo, reverb, Pitch, This is great for reggae and club music.
Some of the other features are the 32 Second Sampler, Crossover, sub- output, and enhancer, S/PDIF, MIDI in and out and it comes with rack ears. This mixer should cost thousands of dollars for what it can do.
I'm currently trying to set up the Midi control commands for Serato and apple Logic pro.
I used to be scared of Behringer, but after seeing this mixer, I'm checking out all their products with a different view.


Click Here to see more reviews about: Behringer DDM4000 DJ Mixer

The DDM4000 is a state-of-the-art 32-bit digital DJ mixer, jam-packed with creative tools, yet its intuitive layout will let you feel at home in an instant. Editing, storing and recalling your settings is simply a breeze! Hook up your turntables and CD/MP3 players to its 4 stereo channels, each with fully programmable EQ and Kill switches. Put ultimate versatility at your fingertips with fully programmable beat-sync'able multi-FX modules, a pair of high-precision BPM counters and a digital crossfader with custom curve adjustment. And the super-cool BPM-sync'd sampler with real-time pitch control, loop and reverse functions will make your crowd go wild.

Choose Your Channel The DDM4000 struts 5 independent channels. Channels 1-4 are crossfader-assignable stereo channels, suitable for both vinyl and CD decks, and have appropriate phono/line level toggle switches at the input. All channels feature 3-band digital EQs with up to 12 dB of boost and infinite cut option, or "kill." Any channel can be monitored directly via headphones thanks to the PFL switch above the fader.
A dedicated Mic channel is provided in mono, with 2 XLR mic inputs. The vocal channel features a special "talk" feature that attenuates the volume of the other 4 channels, ensuring you will be heard over the music. The Mic channel also has its own FX section that can be applied with a single button.
Cross My Heart The core functionality of any DJ mixer lays in its crossfader. The DDM4000's crossfader can be assigned to any of channels 1-4, and sports a 3-band EQ kill button on either side. The curve sensitivity of the crossfader is adjustable, and in the unlikely event that you wear it out, the crossfader itself is replaceable.
Step Up Your Sampling The DDM4000's BPM-synced sampler is a sought-after addition. The sampler allows you to record a segment of incoming audio and loop it continuously without dropping the beat. Once your track is looping from the sampler, you can swap discs and queue up new tracks and mix them back in. The transition is seamless!
Effects The DDM4000 features a stunning dual FX section that includes our patented BPM counting technology. This allows the mixer to read/display the BPM of 2 different inputs and to apply BPM-synchronized effects, such as an echo synced to the beat of the music. Effects such as bitcrusher, reverb, delay, pitch shift, and more are available, and can be assigned independently to multiple channels.
The DDM4000 is ideal for a club owner who has multiple working DJs performing on a recurring basis. User preferences like fader curve, FX settings, EQ, kill frequencies, etc., can all be set to various user accounts and recalled instantly. This feature can eliminate setup time between DJs altogether!
Swimming Upstream When you combine the DDM4000's digital operation with MIDI functionality, the door to creative applications opens REALLY wide. For example, the mixer can be used as a MIDI controller for your favorite DJ software--or whatever else you like! Channel faders, EQ knobs, and button presses can all be configured to send customized MIDI data. The possibilities here are quite endless.
What's in the Box Behringer DDM4000, Power Cable, Rack Mount Brackets, User's Manual

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M-Audio Torq Xponent Advanced DJ Performance/Production System Review

Average Reviews:

(More customer reviews)So after scouring the internet for reviews of the xponent, and having used its cousin the Torq Mixlab and getting down the basics of CPU based DJing, I am proud to say that I couldn't be happier with the Xponent. I got it a few weeks ago, have a Macbook that runs great with it, and have so far had no problems whatsoever. The software is fast and loads my itunes library (over 16k songs) in about 30 seconds. One of the best features of the Torq software is how it figures out (or you can override) the beat of each song and SAVES it. This means that when you're spinning, you can sort by BPM and see the 20 songs that are close in BPM that you have used before. This makes song selection a pleasure!
All the switches and knobs are very responsive, and as a person who basically started DJing (beatmatching, mixing, cueing) a month ago, I feel right at home here. The loop features are easy to use and drop in, and the sampler is very powerful and easy to use. I just spun a big house party with this thing a week ago and it went great! The effects are fun, and using the mouse pad like a Chaos Pad allows for some cool remixing on the fly. I find that scratching is easy to do and there are various settings to determine how sensitive the wheels are.
All in all, this is a great product for a novice or someone who likes to pick music and wants to get into real mixing. If you're the person always holding the iPod at the party but want more control, this is definitely a great place to start (and as far as I'm concerned, finish). As for all the haters of digital DJing, I don't really care, its much easier than bringing vinyl and remembering BPMs and you can plug in someone at the party's ipod and use their music in real time. I find that the Xponent is extremely versatile, perfect for a beginner or seasoned DJ alike, and it and its grandchildren will be leading us into the future of DJing. Hope this helps, there is a lack of people talking about the Xponent and its a truly great device that has allowed me to finally do something I've wanted to do for years, but I've never had the resources to get set up with vinyl and dj lessons.
Cheers!
-DP


Click Here to see more reviews about: M-Audio Torq Xponent Advanced DJ Performance/Production System

The professional-grade Torq Xponent system seamlessly integrates high-performance DJ software with a fully functional hands-on controller, representing a new era in digital DJ performance and production. The Xponent hardware combines the features of a two-channel DJ mixer with CDJ-style tactile controls, letting you cue, mix and manipulate digital files without touching the host computer. In addition to the essentials, M-Audio Torq 1.5 software delivers a variety of real-time creative tools to take your sets beyond the ordinary--and the Xponent hardware control surface puts all that power right at your fingertips. This integrated solution opens the door to new techniques that are simply impossible with traditional DJ setups.

Rock-Solid Professional DJ Hardware The Torq Xponent hardware/software system delivers everything a professional DJ needs to perform with a computer. Xponent is both an advanced MIDI control surface for Torq software and a four-output USB audio interface that includes two stereo RCA outputs and a standard 1/4-inch headphone output for cueing. Every control on Xponent boasts the same rock-solid construction and rugged feel as traditional DJ hardware. So if you're ready to make the leap to the world of software-based DJing, you'll feel right at home with Xponent.
Get Inside the Mix Torq 1.5 DJ software makes it easy to go beyond basic beat matching and crossfading between tracks. With a 16-cell, tempo-synced sampler, easy looping capabilities and multiple cue points, you can chop up a song--on the fly--and reorder, remix and extend any section you want, all while staying perfectly in time. The QuickScratch feature lets you instantly scratch with any two loaded samples. Tempo Anchors remove tempo variations from your tracks--or cause other songs to adopt the tempo changes--making mash-ups and live remixes a breeze. Tempo Master synchronizes all tracks, samples and effects within Torq, while MIDI clock transmits tempo information to outboard hardware and other computers so you can collaborate with friends. And if you also want to produce, Torq is ReWire-compatible with Pro Tools M-Powered software and other popular applications.
Advanced Effects Processing Torq 1.5 gives you 10 essential effects right out of the box for dynamic manipulation of your tracks. Imagine the possibilities of stacking multiple distortion, filter, repeat, chorus or bit-reduction effects while mixing between songs. You can turn any track into your own original creation--and even record it on the spot with the integrated performance recorder. Torq also allows you to create recallable snapshots of your favorite EQ, effect and mixer settings, and even supports the vast world of third-party VST effects plug-ins.
Dynamic Control Over Torq 1.5 Software The best DJ tools allow you to get your hands on your music--from cueing to beat matching to scratching. M-Audio designed the Xponent control surface with full-size, DJ CD-player-style controls so you can get into the music and engage the crowd during each moment of your set. Xponent features 64 assignable backlit buttons (including Play, Cue, Seek, Loop, Key and Sync controls), two volume sliders, eight assignable knobs for effect control and two 100mm pitch sliders. The built-in touchpad/assignable X/Y controller allows you to control your mouse or the effects in Torq, so you never have to take your hands off the unit in the middle of a performance.
Made to Work Together Torq 1.5 DJ software for Mac and PC automatically configures itself to work with Xponent--every hardware control is pre-mapped to its corresponding function in Torq. It's easy to get up and running with Xponent because all of the hardware controls are located exactly where you'd expect them to be. The transition into digital DJing couldn't be simpler.
Plays Well with Others In addition to VST compatibility, Torq 1.5 software can interface with any ReWire-compatible host application. You can easily route the output of Torq to a program like Pro Tools M-Powered and explore even more performance, production and sound design possibilities. When ReWired to a host application, the tempo of Torq automatically locks to the current session tempo, so you never have to worry about syncing playback between Torq and your preferred DAW. In addition, the Xponent control surface can be MIDI-mapped to other digital audio workstation software including Ableton Live.
What's in the Box Xponent USB DJ Controller and Audio Interface, Torq CD-ROM (Torq Software, Xponent Drivers, and Documentation), USB Cable, 12VDC 1000mA Power Supply, Quick Start Guide

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Behringer DJX700 Professional 5-Channel DJ Mixer with Digital Effects and BPM Counter Review

Average Reviews:

(More customer reviews)this was my first mixer, in my DJ'ing Business. i use this thing ALL THE TIME! ive had it for over a year, and have nothing to complain about. great item! no problems!
so worth it!


Click Here to see more reviews about: Behringer DJX700 Professional 5-Channel DJ Mixer with Digital Effects and BPM Counter

The PRO MIXER DJX700 is a professional 5-channel DJ mixer with great features for club-worn veterans and starry-eyed newbies alike.

Five-Channel DJ Mixer The DJX700 features four dual input stereo channels, and 1 ULN microphone channel with "on air" switch. A dedicated effects loop is ideal for connection of external devices (sampler, reverb processor etc.), and the adjustable crossfader curve lets you adjust for all mixing styles.
Three-Band Kill EQ Dial it in with a three-band kill EQ (-32 dB) and precise level meters with peak hold function on each channel.
ULTRAGLIDE Faders The faders are the heart and soul of every mixer. With their 500,000 cycles life expectancy, Behringer's high-grade 45-mm ULTRAGLIDE faders outperform standard faders more than twenty-fold. VCA (Voltage Controlled Amplifier) technology goes hand in hand with our faders--audio signal does not run directly through them; instead, the faders only provide a control voltage to the VCAs. The advantage: practically no audio noise caused by mechanical wear.
Built-In Digital Effects Your crowd will be astounded by the 47 breathtaking digital effect presets in 24-bit quality: delay, reverb, flanger, filter, panner, ultrabass, exciter, Vinylizer, voice changer and more. Your audience will be astounded, but they'll never have to know your secret.
Track-Matching Tools Matching tracks is an art in itself. It takes countless nights of practice before you can truly say you have it under your belt. With the intelligent BPM counter, Behringer take a lot of the guesswork out. Features like SYNC LOCK and BEAT ASSIST help you seamlessly align two tracks without having to rely solely on your ears.
Surround Function Behringer also gives you the awesome XPQ 3D surround function. It widens the stereo image and adds life and transparency to your sound--it's a great way to put a unique finishing touch to your sound and make it feel bigger and wider.
Low-Noise Preamps You work either with CDs or vinyl--sometimes both--and they all induce their own noise into the mix. The last thing you want is to pile even more mixer-originated noise on top of that. That's why all of Behringer's DJ mixers incorporate the improved ULN (Ultra Low-Noise) preamps: what comes in comes out, with nothing added. So you get maximum headroom, minimal noise and ultra-transparent sound.
What's in the Box Behringer DJX700 DJ Mixer, Power Supply, User's Manual

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Mackie SRM350V2 10-inch 2-Way Compact SR Loudspeaker BLACK (Single Speaker) Review

Average Reviews:

(More customer reviews)These Are Awesome Powered Speakers.Friend Of Mine Had A Pair Of These And
I Loved Them So Much I Bought My Own !!!

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Sharing the same design as the SRM450v2 but more compact, the SRM350v2 Active loudspeaker is perfect for when space is at a premium. Packing way more power, clarity and punch thanks to its signature Mackie Active design with all-new drivers and Class-D fast recovery amplification, the SRM350v2 delivers pure studio monitor performance at full-on loudspeaker levels.

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Akai APC40 Abelton Controller Review

Average Reviews:

(More customer reviews)I've been drooling over this since it was announced, and I am so happy that I finally broke down and bought one. It's a shame that there are no reviews up yet, so let me be the first to say that this controller is amazing. Make sure that you erase any previous midi mapping that you've done and then restart Ableton, and you'll find that it has perfectly automapped itself. At first I thought that it was a little strange that there's no manual included... but after five minutes, I realized that it DOESN'T NEED A MANUAL. That's just how intuitive it is, from top to bottom.
The hardware itself is up to usual Akai standards: the knobs and faders feel weighty and responsive. This thing is both larger and thinner than I thought it would be, but after playing around with it the size feels perfect. The two-way communication is killer- just drop an audio clip into Live and it will instantly appear on the grid, color-coded to match its status. Recording and triggering loops couldn't be easier, and the entire interface perfectly emulates what you're used to seeing on the screen.
In the upper right-hand corner you have control over the pan and sends A through C for tracks 1-8, which is really nice. My only complaint is that I would have preferred to have it become all the sends for whatever track is highlighted, but I'll get used to the new workflow. Part of what makes Ableton Live great is that it accommodates so many different styles of music, so making a universal controller for the program was a bit of a challenge. Akai really stepped up and once you get your hands on it, you'll see what all the hype is about: this really is the be-all and end-all of hardware for the program.
One downside I've found is that navigating the plugins can be sort of clunky. First you highlight a track and then the knobs in the lower right are assigned to the first plugin you've placed there. Then you use the left and right buttons to scroll through each unit, and when you do the knobs reassign themselves to control the appropriate effects. I find that having to click through them all is sort of difficult, but there's nothing stopping me from using the mouse like I used to. I guess the only thing that is stopping me from handing out a 5-star rating is that the APC40 sort of forces you to use the workflow they've designed. Remapping the controls isn't difficult, but everything is laid-out and labeled in such a way that it sort of corrals you into getting used to doing things their way.
This review is starting to look a little long, so I'll just sum it up: I absolutely love this thing. I wish I had picked it up sooner and if you are AT ALL considering this purchase, just do it already. Well-constructed, well-programmed, and absolutely worth the money. Like me, you're probably used to using an assortment of controllers and you're wondering if you need to spend the cash. Well, this thing will replace all of those and more, and you'll quickly get used to the layout. Just do it!

Click Here to see more reviews about: Akai APC40 Abelton Controller

Working in partnership with software developer Ableton, the Akai APC40 Performance Controller offers a control surface that's specifically designed for performance with Ableton Live software. Designed to be a powerful, intuitive controller for electronic music performance artists, DJs, hip-hop producers and traditional musicians using Ableton Live on stage and in the studio, the Akai APC40 transforms your experience from one of constructing tracks with software on a computer to one of fluid, effortless, musical creation.

Key Features
Designed in partnership with Ableton for Ableton Live
Unique clip matrix with multicolor lighting displays current clip status
No mapping required; every knob, button, and fader is customizable
Bidirectional communication between APC40 and Ableton Live
Solid, professional feel with rugged, metal chassis and premium controls
Comes with Akai APC40 edition of Ableton Live Lite, free upgrade patch for full versions of Live
Works with standalone editions of Ableton Live
Works with most MIDI recording, sequencing, and performance software
USB plug-and-play connection for Mac and PC
Premium controller with rugged, metal chassis

Direct Design Because Akai Professional and Ableton designed the APC40 specifically for Ableton Live, you don't need to map its controls to talk to the software. Just connect your laptop to the APC40 via USB--thanks to its plug and play capabilities, you won't need to install any drivers. It comes pre-mapped for instant use with Ableton Live software, so if you're new to it, you'll find using the APC40 to be easy to get around on. And if you're an experienced Live user, you'll be happy to note that you can custom-map every single knob, button, and fader on the APC40 to completely customize the controls for the way you like to work.
Virtual View Because of the bidirectional communication between the APC40 and Ableton Live software, the APC40 can receive feedback from the software and display it on its clip matrix of 40 triggers and on LED rings surrounding each knob. The clip matrix gives you an instant view of clip status: what's loaded, what's playing, and what's being recorded. Each state displays on the matrix in a different color so you can get a quick picture of clip state. You can shift your clip focus and get an overview of the clips you have loaded for your set.
The APC40 has 16 knobs, each surrounded by a ring of LEDs. These LED rings make it easy to see your settings on dark stages, indicating the currently selected parameters' values.
Premium Feel The APC40 is built with a rugged, metal chassis and slip-proof rubber detailing. All of the knobs and faders are solid and precise for pinpoint performance. It even features a high quality, replaceable crossfader for transitioning between clips and loops assigned to "A" or "B."
Creative Control The APC40 comes with Ableton Live Akai Professional APC40 Edition software, which is fully functional for performance and production. Owners of standalone editions of Ableton Live 7 or 8 can also work seamlessly with the APC40. Live 7 with the latest automatic update has full support for the APC40 and all versions of Live 8 are APC40-ready.
The APC40 has two banks of eight knobs. The first set controls Global parameters so you'll always have instant access to your main sends, pans, and other essentials. The second bank of eight knobs is dynamically reassigned to the Track you select. You can control eight track parameters at a time, and as you switch channels, the Track knobs follow your focus. For example, you might be working with the Beat Decoder on track two. When you switch to track four, the eight Track knobs that you had been controlling the Beat Decoder with are now controlling the Flangeverb on track four. You'll even notice that the settings for each knob load on the light rings so you'll immediately see each knob's status.
The APC40 also enables special clip-status views and feedback that only the APC40's matrix can display. The matrix is not limited to only 40 clips: you can scroll and shift, enabling you to access, control, and perform with an unlimited number of cells.
The APC40 has a wide range of controllers. The eight Global knobs can access four banks of controls; the eight Track knobs control nine different track parameters each. This gives you a massive total of 72 controllers that are dynamically reassigned each time you switch tracks. Channel faders, bus faders, and a crossfader give you smooth control of key values. You have even more control power with special controls including Tap Tempo, Tempo Nudge, record enables, solo/cues, and two assignable footswitch inputs.
Specifications
Dimensions: 16.88 x 13.13 x 2.62 inches (WxDxH)
Weight: 5.8 pounds
Power supply: 12V 2.0A pin-positive, included
Communication: USB-MIDI with proprietary hardware/software handshake
Inputs: USB, Two assignable footswitch inputs
Mac system requirements: G4 or faster/Intel Mac recommended, 512 MB RAM/1 GB recommended, OS 10.3.9, 10.4 or later. recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port
PC system requirements: 1.5 GHz or faster, 512 MB RAM/1 GB recommended, Windows XP or Vista, Windows-compatible sound card/ASIO driver support recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port

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JBL EON 518S Portable 18-inch 500-Watt Self-Powered Subwoofer with Crossover, Dual Inputs,Loopthrough for Sattelite Speakers and Pole Mount Socket Review

Average Reviews:

(More customer reviews)Pumps out a considerable amount of bass from an unbelievably small cabinet, it fits under my 5' folding table.
Highly recommended!

Click Here to see more reviews about: JBL EON 518S Portable 18-inch 500-Watt Self-Powered Subwoofer with Crossover, Dual Inputs,Loopthrough for Sattelite Speakers and Pole Mount Socket

JBL EON 518S Portable 18" 500W Self Powered Sub with Crossover, Dual Inputs,Loopthrough for Sattelite Speakers and Pole Mount Socket.

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JBL EON 510 Self-Powered Two-Way 10-inch 280-Watt UltraLightweight Speaker with 3 mix inputs Review

Average Reviews:

(More customer reviews)My first audio recording job was in radio production for a university in 1957, and that job put me through two degrees. I have been involved to some extent in sound recording and reproduction ever since. I have been aware of the EON series since its introduction, and have wanted one since, after retiring, I began teaching ballroom dance. My frugal nature and presumed audio expertise kept me with more economical equipment until I was tired of hauling around so much stuff, such as mixer/amp, sub, speakers, stands, patch cords, wireless mic setup, etc.
I tried several less expensive powered speakers, some with integrated mixers. I was continually disappointed by both their bulk, weight, and quality.
I recently purchased a JBL EON 510 for use as a lightweight, portable dance DJ system and for dance teaching. I am pleased. It has clean lines, no objectionable protrusions, no sharp fins sticking out the back, and it sounds great.
I have used it with an iPod, laptop, and wireless microphone, and I have tried line level in both inputs. (Toggles provide lots of options.)
At first, I was disappointed in the lack of a master gain control, but the separate controls on the two inputs have proved adequate. It does have a bit of background hiss, which a dealer assured me was invariably present in powered speakers and at its minimum in JBL. I had to agree that it was not as bad as the others I had tried, but I had expected more from JBL. Even so, it is far enough below the music so as not to be noticed.
The handle was surprisingly uncomfortable, though tolerable. I modified it with a 3-inch section of plastic tubing, split lengthwise and placed over the edge of the handle.
Mine came boxed with only the speaker and power cord, which is longer than most, often not requiring an extension cord. I called the company about the lack of a manual, and they didn't even know whether or not one came with the speaker, even though the box indicates that one is included. They suggested I download one from their web site. I called the regional sales rep, and he didn't know either, referring me to a dealer or the JBL Pro web site. I gave up and downloaded the PDF, printing only selected pages; it is a relatively large manual.
For a 17 lb. powered speaker, the sound is exceptional, better than all the 12 inch speakers that I tried, and ended up selling. Financially, I would have been better off just buying the JBL years ago. I'm glad I have one, customer service, handle, and buzz/hum/hiss notwithstanding.

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JBL EON 510 Self Powered 2 Way 10" 280W UltraLightweight Speaker with 3 mix inputs , for Pole Mount or all Portable PA uses.

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Numark Cue Professional Dj Software Review

Average Reviews:

(More customer reviews)The last guy was obviously not a pro, because I have this set up in my club and it is amazing! Probably the bext VJ software on the market, VirtualDJ/Numark CUE blows the socks off of the competition for performance, quality and customizability of the application. Highly recommended to any professional; but not for the novice user.

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CUE is the most reliable, intuitive DJ software. It empowers DJs to mix, scratch, juggle, and sample audio and video on its dual virtual decks. You can use CUE just like you use vinyl, CDs, or most other DJ formats. Just load tracks from your virtual crates to the virtual decks and mix it up. Working with digital tracks is just like it's always been since the days of vinyl, and you can control with your mouse or select from a wide range of Numark controllers, decks, and mixers for the feel you prefer.

Your Mix, Your Software While many other programs require you to adapt your style to their layout, CUE has a series of software skins that tailor the actual look and layout of the program to your mixing needs. You can select Basic, Power Audio, Internal Mixer, and Full Audio and Video for the setup that's right for you.
Complete Compatibility CUE enables you to play directly from a CD or from a variety of digital audio files including MP3, MP3Pro, MP4, M4A, WAV, AIFF, DVD, WMV, CDA, WMA, ASF, OGG, and iTunes ACC (non-DRM).
On the video side of things, CUE handles DVD, VOB, DIVX, MPG (1, 2, 4), AVI, WMV, and Karaoke (CD+G) files with ease.
CUE also supports VST plug-ins and is compatible with virtually any MIDI controller including NS7, TOTAL CONTROL, STEALTH CONTROL, OMNI CONTROL, iCDX, M1USB, C3USB, X1USB, DJ|iO, VIRTUAL VINYL, and more. CUE also supports DirectX and multi-channel ASIO.
Hence the Name CUE has advanced, extensive cueing capabilities that enable you to expand your performance beyond the standard. CUE has video on-screen cueing, audio cueing in headphones, outputs to a club's video screens and audio system(s), and even the ability to broadcast video and audio on the web!
Masterful Mixing CUE empowers you to mix, scratch, and interchange audio and video for traditional or multimedia performances. See the visual waveform of the track in CUE's Rhythm Window for flawless mix accuracy. CUE can automatically sync tracks together for effortless song transitions. CUE automatically detects BPM on virtually any track to help you make your own transitions.
CUE's video and audio mixers contain multiple video transitions and effects. You can also choose from a variety of built–in effects, add VST plug-ins, and create beat–matched loops and samples for on the fly remixes.
If you're playing a karaoke gig, you'll appreciate CUE's automatic CD+G file detection allows that shows all of your karaoke files with a single click.
Search Without Seizure CUE is designed around the basic rule that you can't mix what you can't find. So we made search powerful, fast, and flexible. You can easily search and locate audio and video on your system by searchable by Title, Artist, BPM, Track Length, and even by Comments--nine different tag categories in all! Files are automatically added to CUE's global search database when you add them to your system by downloading, importing, inserting, or connecting them. CUE's smart database management automatically checks your library when you launch the program and fixes any problems it finds.
Vibrant Video CUE has extensive video performance capabilities and works with virtually all formats. You can add powerful effects and text titles. Its video clip player gives you sampler-style playback. There's also a slide show plug-in.
Pro Playback CUE has a series of tools for managing playlists and history. Play History Management automatically records what you played and when. CUE stores playlists in your documents directory for easy management and portability. Plus, it's compatible with crates and iTunes playlists.

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