Showing posts with label monitors. Show all posts
Showing posts with label monitors. Show all posts

7/22/2012

JBL LSR2325P Pair of Bi-amplified Studio Monitors Review

JBL LSR2325P Pair of Bi-amplified Studio Monitors
Average Reviews:

(More customer reviews)
Me:
Musician, been recording on 4 track, 8 track, 16 track & 24 track recorders since 1996, i have pro mics (M-Audio Sputnik, AKG D5 & C3000, Rode NT3) and have owned many others, i use a TC-Electronic G-Force and a TC Helicon Harmony G-XT.
How i chose these speakers:
- I took a trained sound engineer friend (who has been recording since 1996 too and who attended a Sound Engineer course at SAE) with me because he is the only person whose ears i trust and because i wanted to be sure i wasn't going to choose the wrong set of speakers.
- I went to all the major studio gear stores in Paris, France, in the Pigalle area where all the music stores are. We listened to many many different speakers, sometimes without prejudice and other times with great hopes because we've been reading about brands like Genelec & Dynaudio & all the newer brands out there just like anyone who trusts the specialized press.
- We checked speakers ranging from 200 to 2000 a pair, more or less: we just tested everything they had that looked interesting, including the latest M-Audio, Yamaha, Alesis, Genele, Dynaudio, Adam, etc., etc., etc., etc.
- We tested the speakers on tracks we both knew very well & some very clean recordings as well as some others.
- We selected tracks for reverb to see if the speakers could render the reverb properly, which is something many speakers simply fail to do.
Results of the search:
- Against all expectancies, all the major contenders turned out to be crap. And i mean absolute garbage. Given that we both had exactly the same criticism about each speakers we listened to, i'm pretty sure we weren't being delusional. Now it is possible that the set-up in the stores were not optimal, and maybe the passive speakers were linked up to a bad amp, but most speakers were active & linked to the source via a professional monitoring system with lots of switches designed specifically for this purpose.
- Genelec flaws: no mids AT ALL, same power as a bad car stereo, no bass.
- Dynaudio BM15 ACTIVE: absolute crap amplification, rubbish.
- ADAM A5: aggressive mids, crap treble, no bass. Absolute GARBAGE.
- Yamaha (new NS-10 style speakers) & M-Audio: average sound, not enjoyable at all.
- Most speakers had a very aggressive sound in the mids or treble, and lacked bass. Even in the very expensive range of speakers, none managed to impress us and virtually all were flawed in some aspect that alone would render them totally useless & unbearable.
- The last store we visited was definitely much more pro (Sound Factory) and had real speakers. They played us some PMC passive speakers linked to a 300 stereo amplifier. We were AMAZED. They were fantastic. Well, these were not the most expensive (around 1000 a pair i think), and by far the best. They aren't used at Abbey Road for nothing then...
We then told the salesman we had already heard his Dynaudio BM15's and said we hated them & didn't want to waste his time with those -- "skip em!", we said -- but he had the passive version. And they were very good. The difference was AMAZING. In other words, manufacturers of speakers know how to make speakers, not amplifiers. So get the passive version of whatever you want, and add your own amplifier, the result will be incredibly better, i assure you.
So far the PMC were the best and the Dynaudio were not bad but not cheap. Just out of curiosity i asked to check out the tiny JBL 2325P's that were a ridiculously cheap 400 and were active...i said to him "i guess the JBL are crap but let's give em a try anyway, just to see"...he replied "no, they're not bad actually".
With my friend we both looked at each other with big eyes, we were very pleasantly surprised...they weren't quite as good as the PMC but they easily beat all the others we'd listened to that day.
I ordered this in the US because i now live in Mexico. I got them here on Amazon for 400$ (470$ or so with shipping), with 2 Samson speaker stands and 2 Wirlwind XLR cables. I just set them up today, on their stands.
I don't have a proper good quality source at the moment, my SACD player is in France, so i tried first via the minijack output of my Toshiba P300 laptop and the sound was harsh & had some very apparent artefacts due to the extremely bad quality of this output (Toshiba should be ashamed, really). I then switched to my Archos 5 mp3/video player and the sound is incomparably better. Not perfect, of course, we're not talking about a proper HQ source here, and remember the connection is a cheap minijack=>RCA cable, nothing like XLR=>XLR.
On bad recordings, or old ones, the sound is not so good, and indeed that's exactly how it should be: these speakers tell you when the source is bad. But switch to Kate Bush's Aerial album (her latest, from 2005 i believe), encoded in high quality by myself, and the bass response is amazing, everything is perfect.
Summary:
- Incredible bass response for 5 inch woofer, simply amazing. And it doesn't sound artificially boosted as on some speakers that just try too hard.
- Very well balanced & detailed mids & treble. Although i do prefer the treble & mids on my previous speakers (B&W DM602 S2 -- Bower & Wilkins make excellent passive speakers, with kevlar woofers & perfect tweeters, but you need to be very careful positioning them to get good bass response). But these JBL 5" woofers provide more oompph in the bass than by much bigger B&W's used to. Quite amazing, really. And it's not muddy bass, it's clean, well controlled, has fast attack and nice round oompph. I can hardly imagine how good the 2328p's must be! They were much more expensive, though, & too big & heavy for my needs.
- Very small in width but deep & quite heavy (7.7kg).
Manufacturer's specs seem accurate upon listening (for once) and outperform by far much bigger & much more expensive speakers:
43Hz-20Khz
55 W LF - 35 W HF (don't let this fool you, these speakers are loud enough to make you deaf for indoor use).
You have a treble +/- switch on the back & the same for bass. These work rather well but don't feel too solid & i wouldn't play around with them too much.
The volume knobs are not smooth but have small 'steps' to them so you can set both speakers to exactly the same setting easily. They have a good feel to them.
You have line balanced ins on XLR & TRS jacks, plus unbalanced line in on RCA/cinch.
The on-off switch on the back is silent & a blue light on the front tells you when the speakers are on.
Overall opinion:
The best active monitors by far in 2009-2010 for this money or size? I'd bet they are, yes.

Click Here to see more reviews about: JBL LSR2325P Pair of Bi-amplified Studio Monitors

The JBL LSR2325P Powered Studio Monitor is a bi-amplified 2-way model with a detented level control that allows fine adjustment of individual speaker levels to balance the speaker in your system. Low Frequency and High Frequency Trim controls let you tailor the speaker's response to preference or room acoustics. A neoprene rubber pad on the bottom of the speaker provides acoustic isolation and increases stability when the speaker is placed on a speaker stand or a console top. Mounting points are included and the enclosure has been reinforced for safe mounting using industry-standard mounting hardware. Featured to integrate into professional systems, the LSR2325P includes balanced XLR, balanced 1/4 inch and unbalanced RCA inputs that allow connection to a wide range of playback sources including computer audio workstations, professional mixing consoles, as well as consumer playback systems.

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7/01/2012

Yamaha HW10W 10" Powered Studio Monitor Review

Yamaha HW10W 10 Powered Studio Monitor
Average Reviews:

(More customer reviews)
speaker did a great job until today where it seems to be blown. is there any type on manuf. warranty on this?

Click Here to see more reviews about: Yamaha HW10W 10" Powered Studio Monitor

The HS10W powered subwoofer complements the HS speakers and easily handles today's bass-enhanced music or the most dramatic surround effects. The HS10W woofer uses a bass reflex design cabinet that maintains high efficiency and low distortion. The HS Series has been designed to provide exceptional clarity and flat response, so if your mix sounds good here, it will sound good everywhere in 2:1 (Stereo) or 5:1. The HS10W powered subwoofer contains a long-stroke, 8-in. 120-watt woofer and bass reflex design cabinet that maintains high efficiency and low distortion. Connections include dual XLR and 1/4-in. inputs, and three balanced XLR outputs (Mix, L&R). Controls include master level, phase and low/high cutoff frequency. The HS10W complements the HS speakers, and easily handles today's bass-enhanced music or the most dramatic surround effects.

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6/07/2012

Behringer B2030A Active 2-Way Reference Studio Monitor Review

Behringer  B2030A Active 2-Way Reference Studio Monitor
Average Reviews:

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I purchased these with the assumption that I was not going to get the quality sound I wanted as opposed to KRK monitors (WAAAY overpriced) for my small studio. Boy was I wrong! The sound quality is better than expected to say the least. They're HEAVY, thus you won't be too worried about knocking them over (like the smaller KRK's or M-Audio Studiophiles I've seen). Took these over to a friends house for mixdown of video's he's been working on, and adjusted the settings for his video editing hardware and room dynamics. He then changed his mind after about some 5 hours of video editing. Not the best, but I'll be putting my money into what I can use rather than a name (KRK, JBL, Tannoy, Genlec are just TOO much. . .even for just one monitor). And it'se never about what you got, it's what you do with it.
There are going to be reviews bashing them, but when I have audio engineers telling me "good choice, cuz the KRK's are sometimes WAAY too bassy", I feel I've done my job and research into finding what I can afford.
Just a quick note. . .do give these "burn in" time. meaning give them some time to run before going all out on those mixes. Similar to tube preamps for guitar heads/cabs. . .burn em in slowly so you can get the full effect later. I haven't had these long enough, but I can say they are the best part of my studio.

Click Here to see more reviews about: Behringer B2030A Active 2-Way Reference Studio Monitor

The TRUTH B2030A has all of the great features of an active TRUTH monitor packed in a compact cabinet.It's a high-resolution, active 2-way reference studio monitor that is perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups.

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5/29/2012

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors Review

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors
Average Reviews:

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I picked up a pair of BX8a Deluxe speakers on Amazon for a great price. I did some reading online and read about speakers randomly dying after purchase, but the price was just too good and I decided to roll the dice.
Well, 2 months in, my right speaker went bad and never would work properly again. When I would turn it on, the woofer would pop, go full throw, and emit a 60Hz hum. Very bad stuff. I looked at my return / repair options and found I had to return them to M-Audio to get it repaired.
I looked at the M-Audio forums and read quite a bit more about M-Audio speakers failing, and decided I'd take my chances and crack open the speaker to see if I could figure out what was wrong instead of suffering through a potentially long and painful RMA cycle.
3 hours later I had discovered the problem: a short circuit on the main amplifier board, underneath the tweeter's power amplifier chip. The amp is a TDA2052 made by STMicroelectronics. You can look at the datasheet here: http://www.st.com/stonline/products/literature/ds/1585.pdf
The short was between pins 4 and 6 of this chip, so it was connecting the negative power supply voltage to the audio input pin on both the tweeter and woofer amplifier - very bad! This explains why I could hear 60Hz power line noise on the speaker every time I turned it on.
I was about to start probing each pin on the TDA2052 to see if I could figure out what wire on the circuit board had a problem when I discovered the short between pins 4 and 6. I carefully removed the solder flux and other debris between the two solder pads and plugged the circuit board in, and the problem was gone. You can see a picture of my circuit board and the location of the short here: http://img212.imageshack.us/img212/3357/img0054un5.jpg
As to why the short-circuit suddenly occurred 2 months after purchase - I can only speculate. One possibility is the dreaded "tin whiskers" problem that has been plaguing electronics manufacturers for years. You can read about it here: http://nepp.nasa.gov/WHISKER/
Since lot's of people are reporting random failures of these speakers, this is a possibility. There are a couple ways to remedy this, but they all involve tweaking the manufacturing process of the circuit board, and this might not be an option because it would impact the cost and profit margin on these speakers. The other possibility is that the assembly quality control is not good enough on these circuit boards and they are not adequately stress tested / verified before being put into the finished product. Again there is a cost issue and I'm just speculating.
Overall I must say the speakers are an excellent value for the price. The speaker box construction is solid, the speakers are decent, and the electrical design is good enough - simple and effective. I am impressed with this product, and it is unfortunate such a great product is subject to such a high failure rate from what looks like a manufacturing/quality issue and not a design problem. I just hope M-Audio can remedy the issues long term as I'd like to see them continue to develop quality products.


Click Here to see more reviews about: M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors

Recording professionals around the world trust M-Audio Studiophile reference monitors for exceptional sonic accuracy. The new Studiophile BX8a Deluxe system builds on this legacy with new waveguides and enhanced driver integration for greater high-frequency clarity and refined sound. The magnetically shielded monitors feature 8-inch curved Kevlar low-frequency drivers plus high-temperature voice coils and damped rubber surrounds for durability and fidelity. The 1-1/4-inch natural silk, waveguide-loaded tweeters deliver a high end that's both clear and easy on the ears. Custom-tuned crossovers distribute 130 watts of bi-amplified power for optimal frequency handling by each driver.

Deluxe Edition The Studiophile BX8a Deluxe monitors update the best-selling M-Audio BX8a system with a variety of enhancements. The new waveguide delivers a cleaner sound. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Low-Frequency Drivers To insure a lifetime of service, we constructed the BX8a monitor's 8-inch low-frequency driver from woven Kevlar. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and insure that the cone reaches its optimal excursion for accurate reproduction. And our high-temperature voice coils reduce power compression, guaranteeing that your monitors will deliver full performance hour after hour.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that is inherent in the poorly crafted metallic materials often found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are specially designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The Studiophile BX8a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance—right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetic Shielding Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The BX8a Deluxe is magnetically shielded so that all of your electronic equipment can coexist without interference.
What's in the Box Two BX8a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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4/30/2012

KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea Review

KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea
Average Reviews:

(More customer reviews)
Don't expect these to be a smaller version of PA speakers. Studio monitors are quality over quantity. Yes, these are plenty loud for their intended use. The important part is their sound quality. As with any speaker of this quality, proper break-in really does make them sound better. The RP8G2 is a great value choice. Yes, there are better speakers on the market. You will pay a real premium for them, though. It is hard to evaluate speakers just on the published specs. Sound quality is so much more than technical spectral analysis.
These are solidly built, great sounding monitors that are a good value. I can really recommend them.

Click Here to see more reviews about: KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea

The KRK RokitG2 Series takes value-priced monitors to a new performance level. All of the great stuff that Rokit's have been known for (front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone) are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy.

No Pain With Gain Why compromise gain structure to achieve a comfortable listening level? As musicians and recording people ourselves, we've asked that question too. So each Generation 2 Rokit comes with an Input Volume Control that provides an adjustable gain range from +6dB to -30dB. Just another way the Rokit lets you focus on your mix, and not on compatibility concerns.
Catch a Wave, for a 3D Mix Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to our award winning performance.
You've Got Connections At KRK our focus is your mix. But it doesn't stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily into your particular set up. That's why you'll find plenty of input options with your Rokit, sure to accommodate any studio environment. So if it's RCA, Quarter-Inch (balanced/unbalanced) or XLR inputs you require, Rokit has got you covered.
Even More Accurate Than Before We took a great monitor series and made it better. Our engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for clear, low-distortion performance.
Take Control While your Generation 2 Rokit leaves the factory voiced to our demanding specs, KRK also knows that no two rooms "sound" the same. As such, each Rokit comes equipped with a High Frequency Level Control. This feature provides specific adjustment of high frequency output most commonly affected by room acoustics. It's just one extra level of control that KRK gives you to ensure the most accurate mix for your particular room's acoustics.
Don't Be Square, Curves Ahead Our new Rokit looks different, so it can sound better, and in a wider "sweet spot." Traditional rectangular speakers suffer from diffraction as sounds leaving the edge of the cabinet are reflected back into the original sound field, and at different time intervals. This phase distortion creates a "narrow" or boxy" sound. The Generation 2 Rokit series eliminates this issue with radically engineered curved surfaces, so diffraction is virtually eliminated. Simply put, you'll get better sound in a wider area.
Let's Be Up Front Take a look at competitive monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend create bass coupling with walls and corners amplifying low frequency information which will color your mix. The superior design of the KRK Generation 2 Rokit's include front-firing ports, which are just the right shape and taper to reduce port turbulence. You'll appreciate the clean and accurate bass performance, this approach delivers, even at high SPL's.
Power Up! A great sounding monitor doesn't stop with a great cabinet and custom drivers. Our true bi-amplified amplifier system provides discrete low-distortion power for each driver. While our active crossover systems provide smooth and accurate frequency response, and again, accurate diffraction control.
KRK Rokit 8 Specs
Drivers: 8-inch Glass Aramid Composite Woofer; 1-inch Neodymium Soft Dome Tweeter with Ferro Fluid
Input: XLR (3-pin), RCA & 1/4-inch TRS--10k Ohm, Balanced / Unbalanced
Amplification: HF: 20 Watts/LF: 70 Watts
Freq Response: 45Hz - 20kHz (+/- 1.5 db)
Video Shielding: Yes
Dimensions (H x W x D): 15 x 10 7/16 x 12 inches (38.1 x 26.5 x 30.4 cm)
Weight:26.1 lbs (11.8 Kg)

What's in the Box KRK Rokit 8 Powered Monitor, AC power cord, Owner's manual

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4/11/2012

M-Audio Studiophile BX5a Deluxe 70-watt Bi-amplified Studio Reference Monitors Review

M-Audio Studiophile BX5a Deluxe 70-watt Bi-amplified Studio Reference Monitors
Average Reviews:

(More customer reviews)
I compared these with the M-Audio AV40. I decided on these. They sound great. They're very clean and as other reviewers noted, a little directional. They are monitors. The cones are open and exposed, so I can't recommend them around small children. Their construction is solid with precise fit and finish. I really like them. There are a couple things you need to know about these before you decide to purchase them.
First, they don't come with cables. They accept standard XLR (3 pin) male plugs or standard 1/4 inch patch chord for the clean, balanced, installation needed in a recording studio. I purchased my cables from a local guitar shop (Guitar Player). Adorama sells special XLR stereo sets with a 3.5mm stereo pin for computers. That's a better set up than the two individual XLR cables and Y-adapter I picked up (less connections). This site (Amazon) lists them as "HOSA STEREO 3.5mm (M) - TWO XLR(M), 3m (9.9 ft.)". They also offer a 6 footer. If my cable set up gets noisy, I'll order one for myself.
Second, the speakers are a bit larger than your typical computer speakers, but not unwieldy. While I was at the Guitar Player, they had the BX8a speakers on display. They were a bit bigger, and also sounded very nice (hard to listen to them over the constant cacophony of disjointed, (bad) guitar and drum players).
The final consideration is that each speaker requires its own power outlet. Keep in mind that they are 70 watt, so make sure you shut them off when you're not using them (unless you like burning 140 watts for nothing :-) ). If you can accommodate the power outlet and cable requirements, these are well worth it.

Click Here to see more reviews about: M-Audio Studiophile BX5a Deluxe 70-watt Bi-amplified Studio Reference Monitors

Recording professionals around the world rely on M-Audio Studiophile reference monitors for exceptional sonic accuracy. The Studiophile BX5a Deluxe monitors update the bestsellers with new waveguides and enhanced driver integration for a cohesive and refined sound. The 5-inch low-frequency driver cones are crafted from Kevlar, an extremely resilient material. Curved cone design coupled with high-temperature voice coils and damped rubber surrounds deliver excellent fidelity and durability. The 1-inch waveguide-loaded, high-frequency drivers are made of magnetically shielded silk domes for a crisp top end that's gentle on the ears. 70-watt bi-amped power and expertly tuned crossovers round out a first-rate pair of reference monitors with a footprint small enough to fit just about anywhere.

Deluxe Edition The Studiophile BX5a Deluxe monitors update the best-selling M-Audio BX5a system with a variety of enhancements. The updated waveguide delivers excellent imaging. A new low-frequency transducer provides well-defined bass. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Drivers M-Audio's Studiophile BX5a Deluxe monitors employ Kevlar for low-frequency driver construction. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and also insure that the cone reaches its optimal excursion for accurate reproduction.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that's inherent in the poorly crafted metallic materials commonly found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The BX5a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance--right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetically Shielded for Desktop Use Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The Studiophile BX5a Deluxe monitors are magnetically shielded so all of your electronic equipment can coexist on your desktop without interference.
What's in the Box Two BX5a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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3/28/2012

Behringer B2030P Ultra-Linear Reference Studio Monitor Pair Review

Behringer B2030P Ultra-Linear Reference Studio Monitor Pair
Average Reviews:

(More customer reviews)
These are really great value speakers.From talking with an expert (i.e. a person at hydrogenaudio forums) i have learned that these are speakers with very great response for bass as well as high frequencies from the tweeter. They work very well with my amplifier and are just phenomenal being that they perform as if they were about $350 or $450 dollars. Only warning is to not drive bass too hard, unless you have a subwoofer.

Click Here to see more reviews about: Behringer B2030P Ultra-Linear Reference Studio Monitor Pair

When it comes to your recordings, you want honesty. In fact, considering how important your music is, you should demand it! That's why Behringer designed the B2030P Reference Monitors to speak nothing but the TRUTH. They sound great hooked up to your stereo or your video surround system, and are critical tools for any recording studio--where every note you play or sing is under the microscope.

Built on a Legacy The TRUTH B2030P passive monitor has all the great features of the TRUTH B2030A active monitor with one exception; you provide the amplification. Due to their high-resolution performance, B2030P 2-way reference studio monitors are perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups.
Don't Let the Size Fool You Despite its small size, the TRUTH B2030P provides ultra-linear frequency response from 75 Hz to 21 kHz. The internal crossover point is fixed at 2.3 kHz for optimal performance of the two-way system. And the B2030P can handle input levels up to 100 watts.
Rock-Solid Bass Bookshelf-style home stereo speakers can really fool you when it comes to bass output, mainly because they are not designed for critical listening applications. That's why audio/video engineers and producers listen to projects through studio reference monitors or studio-grade headphones. The B2030P's long-throw 6.75" polypropylene-diaphragm woofer delivers smooth, deep bass all the way down to 75 Hz.
Why the Polypropylene Woofer? We're glad you asked. Polypropylene is light and strong, enabling the speaker cone to respond very quickly to fast transient peaks. This low-mass cone material is also much stiffer than paper, important for not only maintaining bass content integrity, but critical for midrange accuracy and definition. The deformation-resistant aluminum die-cast chassis maintains suspension integrity and provides highly efficient voice-coil cooling, even under extreme operating conditions.
Non-Fatiguing, Wide "Sweet Spot" B2030P's HF (High Frequency) content comes courtesy of an ultra high-resolution 0.75" ferrofluid-cooled tweeter mounted on our proprietary wave-guide. While some of our competitor's studio monitors have a highly focused "sweet spot" (the optimal listening position for a pair of loudspeakers), our wave-guide is designed to create a much more generous, broader listening zone. That means you won't wear a hole in the carpet in that one spot where everything sounds great. You are free to move around inside the stereo image to find the ideal spot in the mix for subtle instrument or effects placement opportunities.
You also won't suffer the ravages of "monitor fatigue-syndrome," an ailment that comes from listening to harsh high-mids and treble content for hours on end, even during those all-night mix-down sessions that can really test your nerves.
What's in the Box Pair of Behringer B2030P Monitors, User's Manual

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3/05/2012

Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action Review

Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action
Average Reviews:

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I am a professional jazz pianist of some 30+ years. I recently bought this keyboard as a much needed gigging and practicing piano that was light weight, had built in speakers, 88 note key weighted action and a good piano sound. You will find all of this and more in the PX-330. I don't think there is any other keyboard currently being manufactured that provides all these features at this low a price point.
Pros:
- great weighted action... a bit mushy but one can certainly adapt to it easily.
- good piano sound, but not without its faults (see below) It reminds me of the sound of the Kurzweil pianos.
- auto arranger with tons of grooves for practicing and jamming.
- good selection of song style presets... it even has "Giant Steps" for all you jazz pianists to practice on. Any tempo, Any key.
- some interesting world beat grooves are included along with standard pop, rock, latin, etc. grooves
- weighs only 25 lbs... this is one of the best features of all!
- skinny... easy to carry
- built in speakers lead to instant gratification when turning on the keyboard and playing. You just sit down and play. No muss, no fuss.
- good contruction. Uses alot of plastic. Not as good as Roland or Yamaha but good enough
- pitch bend wheel is a surprise bonus
- nice LCD display is a big improvement over previous models
- line inputs let you bring in a submix from an mp3 player, iPod, or mixer
- two separate 1/8" mini stereo headphone outs
- good for education and dual playing... the keyboard can be split into duet mode each playing the same sound
- the auto harmony feature is very good and alot of fun to play around with. (dual voice, three voice, etc.)
- memory card slot for saving your patches and performances
- excellent price and value for the money
Cons:
- piano sound is good but suffers from too fast a decay in the middle register. It's difficult to make a melody "sing" or play in a smooth legato style. This decay problem would be fine in pop or rock music, but for solo jazz and classical it is a definite flaw. It is not so noticeable when playing with a rhythm section.
- there is no way to adjust the volume of the primary piano sound when using splits or accompaniments. You can decrease/increase the accompaniment, but cannot increase the main voice independently.
- there is no way to adjust the reverb wet/dry depth. I find this particularly irritating, since certain styles of music require more reverb. Access to a heavier reverb would also help cover over some of the flaws in the piano sound. However, you can adjust the reverb wet/dry depth on the individual accompaniment parts. Why they didn't include this feature on the main sound is a mystery to me.
- labeling of buttons is too dark and hard to see, especially in dim lighting
- buttons lack tactile "feel", are shallow, and can easily be missed in the heat of a performance. Combine this with hard to see labels and you have a recipe for disaster. However, most of the buttons do have LED lights which helps in seeing what is engaged.
- unit comes with a cheap sustain pad/switch which easily flips over when playing. For serious playing you will need to buy a separate sustain pedal. Or use gaffe tape.
- the polarity of the pedal is reversed and cannot be changed internally like many other keyboards. This forces you to buy Casio's pedal unit. A work around is to buy a sustain pedal with a polarity switch, or a regular sustain pedal which you can adapt reversing the polarity of the wires.
- the unit supports half-pedaling which is great, but only if you buy the Casio pedal board.
- the much ballyhooed "acoustic resonance" feature is barely discernible and for all intents and purposes contributes nothing to the piano sound.
- multiple button and combination button pushes can easily make for confusion. You will need to sit down and really learn this keyboard to effectively use its features esp. during performance.
- some of the auto accompaniment parts are pretty cheesy, and with a few exceptions the non-piano sounds are just so-so.
- at maximum volume there is some distortion in the piano sound coming out of the built in speakers.
- when using split keyboard mode, the sustain pedal sustains both zones... If you are playing bass with your left hand, it will sustain when you pedal for the piano sound. Not good.
- Flimsy 1/4" jacks will not last in the long run.
I do not mean do denigrate this product by listing all the cons... overall, it's an excellent low priced piano packed with features not found in other brands that cost more. I just wish I could get comfortable with the fast decay in the middle register, and have more control over the effects. The sustain on the lower split is an oversight that should be corrected.
I have Synthogy Ivory on my laptop, and on more important gigs I use the PX-330 as a controller for the Ivory piano. I bring the output of the Ivory back into the line inputs. Now that's a righteous piano sound! Nevertheless, I am happy I bought this keyboard and am sure it will serve me well as I continue to make music.

Click Here to see more reviews about: Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action

The new Casio Privia PX-330 redefines the digital piano category with unprecedented sound quality and performance in a sleek package that is supremely portable. Featuring all new grand piano samples and a new Tri-Sensor 88-note scaled hammer action keyboard and weighing only 26 lbs., the Casio Privia PX-330 is versatile enough for any home, studio or stage.

Realism, Expression and Dynamics The grand piano sounds in the PX-330 delivers an unprecedented level of realism and expression. Four dynamic layers of stereo piano samples are integrated with Casio's proprietary Linear Morphing System, for a grand piano sound with seamless transitions and a superior dynamic range. For added realism, the PX-330 simulates the sound of the open strings when the dampers are raised by the pedal using Acoustic Resonance DSP. The PX-330 also has 128-note polyphony, enough horsepower for the most demanding musical passages and the ability to layer sounds and use the damper pedal without worry of dropped notes. The result is a grand piano experience that is unsurpassed at any price.
Truly Expressive Touch The Privia PX-330 features a new Tri-Sensor 88-note scaled hammer action keyboard. Casio's superior engineering has resulted in an authentic piano touch that captures every detail and nuance of your performance. This scaled hammer action provides the weight, feel and resistance of a piano without sacrificing the portability of the instrument.
Performance, Studio or Stage The superior keyboard action, piano sound and built-in USB MIDI interface make the PX-330 the perfect instrument to integrate into your studio. When you're ready to take the PX-330 to a gig, the built-in registration memory allows you to instantly recall splits, layers and combinations of sounds. The PX-330 also has 1/4-inch outputs for great live sound from your amp or the house's PA system.
16-Track Recorder, Pitchbend Wheel and Much More While it's easy to connect the PX-330 to your computer, you can easily create and compose music using internal 16 track recorder. Utilizing the PX-330's 250 on-board sounds and 180 rhythms you can record up to 16 tracks. Accepting SD memory, you can save your songs and take them with you or load standard MIDI files that you've downloaded from the web. With these flexible tools you can capture moments of creativity and remember song ideas. It also works great as a practice tool. A built-in metronome and optional accompaniment mean you can practice in-time and later listen back to what you just played. A pitchbend wheel gives you full expression for 250 tones. You can even plug in other instruments or an MP3 player into the keyboard and hear it through the internal speakers and headphones.
Professional, Versatile and Portable Design Whether you're at home, working on a studio or out on stage, the PX-330 was created to tackle it all, making it a valuable investment. With its light weight, you can easily take the PX-330 from home, to rehearsals, to the gig and back with no worries. It connects effortlessly to your computer via USB and connects just as easily to a live mixer for use on stage. The Casio PX-330 is now the indisputable leader in the digital piano arena.
8 Digital Effects Add a little more depth and variation to the built-in tones with 4 reverb and 4 chorus effects, along with brilliance and acoustic resonance settings.
Duet Function The new duet functions allows teachers and pupils to play parallel to each other. The PX-120 can be divided into two keyboard areas, which can be transposed individually.
Two Headphone Connections The PX-330 features two headphone connections, ideal for the duet function.
Stereo Line In/Out Connect to a PA system or studio equipment, or connect other sound sources with the line inputs.
Powerful Speaker System The PX-330 features built-in speakers, with 2 x 8 Watts of output power, to fill a room with sound.
3-Pedal Unit Support With the optional SP-30, the PX-320 has up to three pedals with half-damper effect. This "half-damper" effect simulates a "half-pedaled" damper pedal.
What's in the Box Privia PX-330 Keyboard, AC Adapter, Music Stand, User's Manual

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