Showing posts with label home studio. Show all posts
Showing posts with label home studio. Show all posts

7/23/2012

CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone Review

CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone
Average Reviews:

(More customer reviews)
I have a modest home studio, and my recordings have received kind comments from listeners and fellow engineers alike. Though I am on a budget like almost everyone else, I take my equipment seriously, and believe that one is better off saving for what will deliver widely-recognized quality, rather than trying to economize by buying the minimum you need to get a recording done. When you buy too cheap, you often end up spending 3x what you would have spent (for the good stuff) in money lost through trade-ups--because you just can't get happy.
My personal philosophy out of the way, I have respectable gear that can help me tell the difference between a decent mic and a wannabe.
I tested the e100s through a Metric HALO ULN-2 extended, Logic Pro-9, ADAM A-7 Monitors, and various reference quality headphones, including the AKG K-701 and Ultrasone PRO 750s.
I used the mic by itself, X/Y with a Peluso CEMC-6 SMC, and in an M/S configuration with a RODE K-2 Tube mic. I recorded both vocals and acoustic guitar (this last being my personal favorite for showing up crappy wannabe equipment. Transients, fundamentals, and harmonics from a quality guitar are a great test for mics, pre-amps and monitors, and I have two guitars I tried: a Martin D-35, and a Larrivée LV-05e).
The e100s didn't disappoint. It delivered nicely textured, transparent sound, and as a bonus (especially for those of us who want to make clean, quiet, acoustic recordings), it wasuncannily, blissfully, quiet. I mean quiet. Did I say quiet?
My ULN-2 has something like a 125dB S/N Ratio, and this mic made it worth the investment. Holy-moly. I've used Neumann, RODE, Peluso, MXL, etc., etc... this mike is the quietest of them all...even quieter than the TLM-103.
Great sound. Dead quiet. Buy it.

Click Here to see more reviews about: CAD Professional Mics E100S Supercardioid Large Diaphragm Condenser Microphone

Engineered and built in the USA, the new E100S large diaphragm supercardioid condenser has the lowest noise floor in its class (3.7 dBA) and the smooth vintage tone and robust low end CAD is known for. The bootstrapped, full differential Quadra-FET front end delivers high sensitivity and low distortion, plus CAD's proprietary circuitry ensures the highest performance. The nickel plated 1" capsule delivers accurate phasing on instruments, and a full rich vocal tone, accentuated by the extended low frequency response. Features include an 80Hz hi-pass filter and a 10dB pad. From vocals to percussion, acoustic instruments and everything in between, the CAD Equitek E100S will prove to be one of the most versatile tools in your microphone locker, in the studio or on stage. Vintage woodgrain cherry case and stealth shock mount included. 48V phantom power is required. ApplicationsStudio Vocals Choir Acoustic Instrument Guitar Cabinets Bass Cabinets Strings Piano Cymbals/OverheadsSpecificationsOperating Principle: Condenser Polar Pattern: Supercardioid Frequency Response:

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7/11/2012

RODE NT1A Cardioid Condenser Microphone Review

RODE NT1A Cardioid Condenser Microphone
Average Reviews:

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If you are in to producing/engineering and want a super mean condensor mic without spending alot of cash, this is one to get; very cheap with an extremely expensive sound. It does not have any polar switches or any built in eq's, but most all DAW's do have eq's and phase reverse abilities. Plus, its better to cut freq's that are there, then to try and boost freq's that aren't there; the latter is impossible actually. I'm telling you, don't let the price tag throw you off; this baby makes everything sound good. I've used it on vocals, acoustic guitars, drums as an overhead/ride mic as well as a room mic for ambience. I also have a matched pair of NT 5's that are also absolutely amazing. Rode is a great Australian company that makes amazing mics with a 10 year warranty; yep...10 years. Get one, you won't be dissapointed. Remember though, bad acoustics = bad recording sound.

Click Here to see more reviews about: RODE NT1A Cardioid Condenser Microphone

The original NT1 was voted "Best Microphone at Any Price" by the editors of Electronic Musician magazine. The NT1A delivers performance usually associated with higher priced microphones. Features: large capsule (1") with gold-plated membrane; cardioid polar pattern; ultra low noise, transformerless circuitry; state of the art surface mount electronics; heavy-duty satin-nickel finish; internal shock mounting system; gold plated output connectors; true condenser (externally biased); full frequency response. The NT1A will blow you away! Ultra low-noise, transformerless circuitry.Cardioid polar pattern.Large capsule (1") with gold-plated membrane.Surface mount electronics.Heavy-duty satin-nickel finish.Internal shock mounting system.Gold plated output connectors.True condenser design (externally biased). WARRANTYAll RODE products are warrantied for 1 year from the date of purchase. Your purchase may be registered ?on-line? or by mailing the warranty card. The RODE Warranty covers parts and labour that may be required to repair the microphone during the warranty period.The Warranty excludes defects caused by normal wear, modification, shipping damage or failure to use the microphone as per RODE's Instruction Guide.

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7/08/2012

CAD Large Diaphragm Supercardioid Condenser Review

CAD Large Diaphragm Supercardioid Condenser
Average Reviews:

(More customer reviews)
I have a modest home studio, and my recordings have received kind comments from listeners and fellow engineers alike. Though I am on a budget like almost everyone else, I take my equipment seriously, and believe that one is better off saving for what will deliver widely-recognized quality, rather than trying to economize by buying the minimum you need to get a recording done. When you buy too cheap, you often end up spending 3x what you would have spent (for the good stuff) in money lost through trade-ups--because you just can't get happy.
My personal philosophy out of the way, I have respectable gear that can help me tell the difference between a decent mic and a wannabe.
I tested the e100s through a Metric HALO ULN-2 extended, Logic Pro-9, ADAM A-7 Monitors, and various reference quality headphones, including the AKG K-701 and Ultrasone PRO 750s.
I used the mic by itself, X/Y with a Peluso CEMC-6 SMC, and in an M/S configuration with a RODE K-2 Tube mic. I recorded both vocals and acoustic guitar (this last being my personal favorite for showing up crappy wannabe equipment. Transients, fundamentals, and harmonics from a quality guitar are a great test for mics, pre-amps and monitors, and I have two guitars I tried: a Martin D-35, and a Larrivée LV-05e).
The e100s didn't disappoint. It delivered nicely textured, transparent sound, and as a bonus (especially for those of us who want to make clean, quiet, acoustic recordings), it wasuncannily, blissfully, quiet. I mean quiet. Did I say quiet?
My ULN-2 has something like a 125dB S/N Ratio, and this mic made it worth the investment. Holy-moly. I've used Neumann, RODE, Peluso, MXL, etc., etc... this mike is the quietest of them all...even quieter than the TLM-103.
Great sound. Dead quiet. Buy it.

Click Here to see more reviews about: CAD Large Diaphragm Supercardioid Condenser

CAD Large Diaphragm Supercardioid Condenser with low noise floor - includes stealth shockmount and woodgrain cherry case

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7/03/2012

Tascam US-1800 USB2.0 Audio/Midi Interface Review

Tascam US-1800 USB2.0 Audio/Midi Interface
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I bought this unit partly because it came with a nice audio recording program called cubase. I like the interface but trying to register and run the free software has proven to be impossable. Great interface but don't buy it hoping to be able to use the software the company behind the Software has made it impossable to use their product (Steinberg). Interface is really usefull and easy to use. 8 xlr, six 1/4" plus midi and spdif(digital) inputs to connect to your computer with a single usb cord. Four assignable outputs. Phantom power to boot on the xlr ins. Very clean sound and I haven't add any problems with latense. Used it to record my band live, no problems running all 14 analog inputs and spdif at once for 15 tracks.

Click Here to see more reviews about: Tascam US-1800 USB2.0 Audio/Midi Interface

The US-1800 audio interface from TASCAM offers more inputs than any interface in its class. Up to 16 inputs and 4 outputs are transmitted to Mac or Windows over high-speed USB 2.0 connection. The US-1800 features eight XLR microphone inputs with phantom power and 60dB of clean gain. Six balanced line inputs are also provided, as well as stereo S/PDIF digital and MIDI in and out.Included with the US-1800 is Cubase LE5, the latest workstation software from Steinberg. This 48-track audio workstation includes must-have features like automation, plug-ins, mixing, editing and MIDI tracks. Cubase LE5 uses standard VST plug-ins for adding virtual instruments and effects.If you want the most inputs into your computer for the minimum amount of cash, TASCAM's US-1800 is the only choice!

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Focusrite ISA428 Four Classic Microphone Pre-Amps and High-Quality A/D Conversion Review

Focusrite ISA428 Four Classic Microphone Pre-Amps and High-Quality A/D Conversion
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Very versatile preamps! I've had them for 3 years and wouldn't dream of getting rid of them! Very clean, but colorful (in a good way). I've used them on everything from drums to voice to symphony to bass & keyboards (direct). No complaints. I've done shootouts with preamps that were much more expensive and I won't say the ISA428 blew them away, but it came closer than it should have considering the price difference!

Click Here to see more reviews about: Focusrite ISA428 Four Classic Microphone Pre-Amps and High-Quality A/D Conversion

The ISA 428 features four classic, transformer-based microphone pre amps with switchable impedance and direct Instrument Inputs are combined with an optional eight channel 192kHz ADC. An all-new, Soft Limiter circuit precedes the A/D, providing the perfect path into any DAW, Digital Console or direct to Hard Disc Recorder. The input stage provides enhanced control and creativity allowing you to switch between four carefully selected input impedance settings. The original ISA 110 setting is supplemented by three further impedance settings to either perfectly match the pre-amp with any microphone and maximise level, or to use different settings creatively to shape the sound of the microphone being used. Should the need arise to place extra processing between pre-amp and conversion, insert points are also featured on every channel. Protecting the ADC, Focusrite's Soft Limiter is a new optical circuit design, entirely preventing any digital overs, whilst reducing to an absolute minimum the undesirable distortion artefacts that common limiter circuits typically generate. This limiter requires the optional ADC to be fitted in order for it to operate.The ADC embodies cutting-edge conversion technology, encompassed within Focusrite circuitry, providing eight high quality conversion channels, at sampling frequency rates of 44.1, 48, 96 and 192kHz. Running at 96kHz allows for up to 16 (2 x 8, parallel) digital outputs. Digital output formats are dual 9-pin D-sub (AES/EBU, SPDIF) and dual ADAT light-pipe. Full digital metering is provided for every channel, alongside moving coil peak meters, designed to catch even the fastest transients. A second ISA428 analogue unit can be connected utilising the four extra ADC input channels on the rear of the unit containing the optional ADC. This makes full use of the eight channels provided and expands front-end capacity from four pre amps and eight digital outputs to eight Pre amps and eight digital outputs.

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7/01/2012

Yamaha HW10W 10" Powered Studio Monitor Review

Yamaha HW10W 10 Powered Studio Monitor
Average Reviews:

(More customer reviews)
speaker did a great job until today where it seems to be blown. is there any type on manuf. warranty on this?

Click Here to see more reviews about: Yamaha HW10W 10" Powered Studio Monitor

The HS10W powered subwoofer complements the HS speakers and easily handles today's bass-enhanced music or the most dramatic surround effects. The HS10W woofer uses a bass reflex design cabinet that maintains high efficiency and low distortion. The HS Series has been designed to provide exceptional clarity and flat response, so if your mix sounds good here, it will sound good everywhere in 2:1 (Stereo) or 5:1. The HS10W powered subwoofer contains a long-stroke, 8-in. 120-watt woofer and bass reflex design cabinet that maintains high efficiency and low distortion. Connections include dual XLR and 1/4-in. inputs, and three balanced XLR outputs (Mix, L&R). Controls include master level, phase and low/high cutoff frequency. The HS10W complements the HS speakers, and easily handles today's bass-enhanced music or the most dramatic surround effects.

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6/27/2012

Allen & Heath AH-ZED-24 24-Channel Mixer with USB Interface Review

Allen and Heath AH-ZED-24 24-Channel Mixer with USB Interface
Average Reviews:

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An incredible mixer. No drivers needed for the computer. Easy to use. Great for home studio.

Click Here to see more reviews about: Allen & Heath AH-ZED-24 24-Channel Mixer with USB Interface

The ZED-24 is a small format, USB-equipped stereo mixer for live and recording. The ZED-24 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home.The feature-set of the ZED-24 mixer is incredibly advanced for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you'd think it would cost much, much more! It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings.

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6/21/2012

ART Pro VLA II Tube Compressor Review

ART Pro VLA II Tube Compressor
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This unit was all the rave a few years back in the audio/home recording magazines. And for good reason.
The PRO VLA is a very smooth compressor with good metering. It's easy to get a nice overarching compression ratio for individual channel OR for main mix duties. The stereo link function is nice, but I don't know how useful the panning feature is when it's linked in stereo. I just leave it panned up the middle to keep both channels' output the same.
And kudos to ART for engineering it to be relatively free of pumping and breathing artifacts that plague lesser units.
I've got mine in the main mix insert of my analog front-end/digital back end studio. It's tightened up my mixes and the sound quality has improved greatly, as compared to the other brand name comp that was in the chain previously.
The fact that it's a very sexy looking unit doesn't hurt. The VU's are as sensitive as the ones on my big analog mixer and lend a nice vibe.
I'd put this into the 'why didn't I buy one sooner' pile.
Good stuff!!!

Click Here to see more reviews about: ART Pro VLA II Tube Compressor

The ART Pro-VLA II is a tube driven Vactrol-based Compressor and Leveling amplifier designed to excel in any professional audio application, including tracking, mixing, mastering, live sound or broadcast situations. By using an opto-electronic design, (as opposed to a more typical VCA driven level detection circuit) the Pro-VLA II allows more compression to be added to an audio source with a more natural, musical sounding output and virtually transparent dynamic leveling. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical studio and live sound applications. ART Pro-VLA II Features Vactrol Opto-Compression Design (no VCA) Mastering-Quality Audio Signal Path with Tube Gain Stage Enhanced Link Mode - While in stereo link mode, channel 1 level control acts as a master output level and channel 2 becomes a balance control between them, - optimizing the Pro-VLA II for use as a mastering tool Variable Threshold, Ratio & Output Controls LED Backlit VU Input/Output Level Metering LED Metering Indicates Both Average Level And Peak Hold Accurate Ten Segment LED Gain Reduction Metering +4dBu/-10dBV Mode Switch Optimizes Pro-VLA II For Interface With Professional OR Consumer Grade Components Active Balanced XLR And 1/4-Inch Inputs & Outputs Toroidal Transformer Reduces Mechanical & Electrical Hum ART Tube Compression ART Tube Compressors deliver analog leveling/compression designed to work seamlessly with any recording, sound-reinforcement, and electronic instrument application. Our Tube Compressors excel at making tracks sound rich and full for both live audio engineering and studio recording applications. ART's tube compression circuitry is a hybrid design u

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6/15/2012

Mackie MC Extender Pro 8-Ch. Control Surface Extension Review

Mackie MC Extender Pro 8-Ch. Control Surface Extension
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Of course we all know what this unit does! Like its mother the MCU Pro its solidly built and now equipped with really cool Alpine motorized faders! Worked straight out of the box! I use it with Sonar and Reaper and its simply perfect! However!
This unit requires two short midi cables to connect with the main MCU Pro so why, why, why do Mackie ship this with a USB cable??? I mean it doesn't even have a USB port! Maybe someone at the LOUD factory was a little hung over when they packed my unit! Anyhow, that aside! I recommend this product to anyone!

Click Here to see more reviews about: Mackie MC Extender Pro 8-Ch. Control Surface Extension

The Mackie Control Extender Pro control surface extension lets you expand your Mackie Control Universal Pro control surface, eight motorized, touch-sensitive faders at a time.

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Behringer Eurodesk SX2442FX Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer Review

Behringer Eurodesk SX2442FX Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer
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Bought this mixer to have the whole band on ONE mixer...... This solved the problem with channels to spare and added some beautifull extras. The busses where great for isolating the whole drumset, vocals etc..... And sending dry sounds to the house PA. The fx are great that no extra gear has to be hauled. In live performances we need minimal fx so these are awesome. Still have to try it out in my studio setup to see the performance there but I don't think I'll be disappointed. Great product and great handling.

Click Here to see more reviews about: Behringer Eurodesk SX2442FX Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer

Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer with XENYX Mic Preamplifiers, British EQsand Dual Multi-FX Processor

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6/09/2012

Allen & Heath AH-ZED-14 14-Channel Mixer with USB Interface Review

Allen and Heath AH-ZED-14 14-Channel Mixer with USB Interface
Average Reviews:

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This is a board that you take out of the box, plug the USB in, and you are recording in minutes. The quality is amazing. You will be very happy you spent the extra money, ESPECIALLY for the USB portion. If you own a Mac, it is amazingly simple and trouble free. A great buy at any price for the small home studio.

Click Here to see more reviews about: Allen & Heath AH-ZED-14 14-Channel Mixer with USB Interface

The new ZED-14 is a small format, USB-equipped stereo mixer for live and recording. The ZED-14 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home. The feature-set is incredibly advanced for a mixer at this level – it has 13 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send & return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-14 is so packed full of great features that you'd think it would cost much, much more! It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings. What about the sound quality? Our chief designer, Mike Griffin, has been at the forefront of audio innovation for many years and has developed the designs for our spectacularly successful MixWizard and GL series professional live mixers. Mike is always striving to produce the best possible sound for our mixers, and for ZED has produced the ‘DuoPre', a mic preamplifier which sounds as sweet as a nut, as pure as the driven snow. The DuoPre combines an optimized line input circuit together with the microphone preamp circuit so that it will not color or distort your sound, will give you lots of headroom, and give you a truly professional feel.

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6/08/2012

Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker) Review

Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker)
Average Reviews:

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This speaker has a very smooth response on and off axis, narrow dispersion, and virtually no diffraction. Bass seems a touch heavy, but easily adjustable on the back of the enclosure. The vertical polar response shows a rather narrow window. Not a big problem if you keep your ear level between the drivers or slightly toward the tweeter side. The tweeter's break up is sort of low at about 15kHz, but it's not really audible. It holds up well at high volumes. Build quality is incredible! That sums this up as far as I'm concerned. I'd get another of it were stolen or destroyed.

Click Here to see more reviews about: Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker)

With its smooth sound and design, the 6.7-inch HR824mk2 high-resolution Active studio reference monitor turns your studio?s sweet spot into a full-on sweet zone.

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6/07/2012

Behringer B2030A Active 2-Way Reference Studio Monitor Review

Behringer  B2030A Active 2-Way Reference Studio Monitor
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I purchased these with the assumption that I was not going to get the quality sound I wanted as opposed to KRK monitors (WAAAY overpriced) for my small studio. Boy was I wrong! The sound quality is better than expected to say the least. They're HEAVY, thus you won't be too worried about knocking them over (like the smaller KRK's or M-Audio Studiophiles I've seen). Took these over to a friends house for mixdown of video's he's been working on, and adjusted the settings for his video editing hardware and room dynamics. He then changed his mind after about some 5 hours of video editing. Not the best, but I'll be putting my money into what I can use rather than a name (KRK, JBL, Tannoy, Genlec are just TOO much. . .even for just one monitor). And it'se never about what you got, it's what you do with it.
There are going to be reviews bashing them, but when I have audio engineers telling me "good choice, cuz the KRK's are sometimes WAAY too bassy", I feel I've done my job and research into finding what I can afford.
Just a quick note. . .do give these "burn in" time. meaning give them some time to run before going all out on those mixes. Similar to tube preamps for guitar heads/cabs. . .burn em in slowly so you can get the full effect later. I haven't had these long enough, but I can say they are the best part of my studio.

Click Here to see more reviews about: Behringer B2030A Active 2-Way Reference Studio Monitor

The TRUTH B2030A has all of the great features of an active TRUTH monitor packed in a compact cabinet.It's a high-resolution, active 2-way reference studio monitor that is perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups.

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5/29/2012

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors Review

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors
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I picked up a pair of BX8a Deluxe speakers on Amazon for a great price. I did some reading online and read about speakers randomly dying after purchase, but the price was just too good and I decided to roll the dice.
Well, 2 months in, my right speaker went bad and never would work properly again. When I would turn it on, the woofer would pop, go full throw, and emit a 60Hz hum. Very bad stuff. I looked at my return / repair options and found I had to return them to M-Audio to get it repaired.
I looked at the M-Audio forums and read quite a bit more about M-Audio speakers failing, and decided I'd take my chances and crack open the speaker to see if I could figure out what was wrong instead of suffering through a potentially long and painful RMA cycle.
3 hours later I had discovered the problem: a short circuit on the main amplifier board, underneath the tweeter's power amplifier chip. The amp is a TDA2052 made by STMicroelectronics. You can look at the datasheet here: http://www.st.com/stonline/products/literature/ds/1585.pdf
The short was between pins 4 and 6 of this chip, so it was connecting the negative power supply voltage to the audio input pin on both the tweeter and woofer amplifier - very bad! This explains why I could hear 60Hz power line noise on the speaker every time I turned it on.
I was about to start probing each pin on the TDA2052 to see if I could figure out what wire on the circuit board had a problem when I discovered the short between pins 4 and 6. I carefully removed the solder flux and other debris between the two solder pads and plugged the circuit board in, and the problem was gone. You can see a picture of my circuit board and the location of the short here: http://img212.imageshack.us/img212/3357/img0054un5.jpg
As to why the short-circuit suddenly occurred 2 months after purchase - I can only speculate. One possibility is the dreaded "tin whiskers" problem that has been plaguing electronics manufacturers for years. You can read about it here: http://nepp.nasa.gov/WHISKER/
Since lot's of people are reporting random failures of these speakers, this is a possibility. There are a couple ways to remedy this, but they all involve tweaking the manufacturing process of the circuit board, and this might not be an option because it would impact the cost and profit margin on these speakers. The other possibility is that the assembly quality control is not good enough on these circuit boards and they are not adequately stress tested / verified before being put into the finished product. Again there is a cost issue and I'm just speculating.
Overall I must say the speakers are an excellent value for the price. The speaker box construction is solid, the speakers are decent, and the electrical design is good enough - simple and effective. I am impressed with this product, and it is unfortunate such a great product is subject to such a high failure rate from what looks like a manufacturing/quality issue and not a design problem. I just hope M-Audio can remedy the issues long term as I'd like to see them continue to develop quality products.


Click Here to see more reviews about: M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors

Recording professionals around the world trust M-Audio Studiophile reference monitors for exceptional sonic accuracy. The new Studiophile BX8a Deluxe system builds on this legacy with new waveguides and enhanced driver integration for greater high-frequency clarity and refined sound. The magnetically shielded monitors feature 8-inch curved Kevlar low-frequency drivers plus high-temperature voice coils and damped rubber surrounds for durability and fidelity. The 1-1/4-inch natural silk, waveguide-loaded tweeters deliver a high end that's both clear and easy on the ears. Custom-tuned crossovers distribute 130 watts of bi-amplified power for optimal frequency handling by each driver.

Deluxe Edition The Studiophile BX8a Deluxe monitors update the best-selling M-Audio BX8a system with a variety of enhancements. The new waveguide delivers a cleaner sound. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Low-Frequency Drivers To insure a lifetime of service, we constructed the BX8a monitor's 8-inch low-frequency driver from woven Kevlar. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and insure that the cone reaches its optimal excursion for accurate reproduction. And our high-temperature voice coils reduce power compression, guaranteeing that your monitors will deliver full performance hour after hour.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that is inherent in the poorly crafted metallic materials often found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are specially designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The Studiophile BX8a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance—right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetic Shielding Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The BX8a Deluxe is magnetically shielded so that all of your electronic equipment can coexist without interference.
What's in the Box Two BX8a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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5/28/2012

Apogee Duet - Audio input adapter - IEEE 1394 (FireWire) Review

Apogee Duet - Audio input adapter - IEEE 1394 (FireWire)
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I bought the Duet to use with my Aluminum iMac and Logic Studio 8 and have had zero problems with the unit. The interface is very streamlined so you have to get used to using a single, multi-function knob for everything. The quality of conversion between analog and digital is head and shoulders above anything else near this price level. It sounds as good as units costing 3 times as much due to the designers' emphasis on quality sound. To get the high quality conversion at this price you are limited to the line outputs and headphone output levels being permanently linked. Some people find this a drawback, so be aware before you buy if this feature is something that is a deal breaker for you.
The small form factor is nice because as anyone with a home studio can attest to, space is not a luxury we have. I didn't pick this for its portability but as it is the size of a paperback book I can imagine it being very easy to tote around with a macbook/pro.
The included Maestro management software is straightforward and lets you set the unit up in seconds with a very easy to understand user interface. Configuring my iMac to use this as the audio input and output took less than a minute from reading the instructions. Making Logic label its mixer to match is equally simple. One thing I found convenient is how OSX lets you still use the iMac's built in speakers for the system alerts so that an error message gong sound isn't sent out through your 100watt studio monitors. You can set the output level of the system alerts separate from the duet's outputs.
The breakout cable is securely attached and the plugs are labeled with big, clear markings so changing hook-ups is easy. It has phantom power if your mics require it, which is set using Maestro.
Most audio interfaces in this price range try to win you over with more I/O channels or other add-ons instead of making the best sound conversion. They trade quality for quantity with predictable results. Apogee decided on doing a simple 2 channel interface, a single physical control and top shelf A/D/A converters so the result is the best 2 channels you can get. When you want more channels without sacrificing quality then you can step up to their Ensemble line.

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The Duet is a two-channel FireWire audio interface that features the amazing sound quality that made Apogee Electronics famous. With control functions built directly into Apple's Logic Pro, Soundtrack Pro and GarageBand software, Duet empowers you to create professional recordings effortlessly on your Mac.With Duet, you can plug in guitars, keyboards, and microphones to record your music, or simply experience how much better your favorite tracks in iTunes sound. Duet is compact and powered by FireWire, so you can pack up your studio and go anywhere your music takes you.Its dual, 1/4" high impedance inputs allow you to combine and record your two favorite instruments, whether it be two guitars, one bass, one guitar, etc., simultaneously using your favorite Core Audio-compatible application. You can also capture vocals with two microphone inputs that have phantom power and 75dB of gain. Whether you're noodling out new ideas, completing a personal tune, documenting a podcast, or recording a live performance, your new little buddy can handle it. The flexible breakout cables come with icons to make it easy to know what goes where, keeping everything in order, out of the way, and properly connected for maximum input and output, with minimal mess. Duet's bus-powered FireWire interface frees you from the traditional four-wall studio setting. So grab your laptop, find a spot where inspiration takes you, whether it's in the solace of a park or in the echoey confines of a subway tunnel, turn it on, and start doing your thing.If you don't have Logic Pro, Soundtrack Pro, Garageband, don't panic. Apogee's includes it's own Downloadable Maestro software, so you'll still be able to work with any Core Audio-compatible application. Maestro allows you to turn the Duet's multifunction control knob into a one-click manager.

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5/26/2012

KRK Ergo Studio Monitor Room Processor Review

KRK Ergo Studio Monitor Room Processor
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Samples your room well, and gives you two stages of accurate imaging. I could tell that boomy bass freq and others were cleaned up the very first time that I tried the unit.
However, this is one of those items where you really notice when it is later bypassed. Even the best speakers will sound better in ANY room with this unit.
Its only problem is that the Orient copy factory is now turning out almost identical units for about 1/4 the price.

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All About the KRK Ergo Studio Monitor Room ProcessorThe KRK Ergo Studio Monitor Room Processor (ERGO - Enhanced Room Geometry Optimization) automatically tailors the sound in your mixing environment to give you a much more accurate room and better mixes. A great mix starts with a great recording room. But when it comes to achieving the most accurate mix, your room may have the upper hand. Like any room, your studio's acoustics include offending frequencies and room reflections, and none of these are helping your mix. Getting a handle on these problems has traditionally meant the installation of soft foam or fabrics, and that's a great start. But now you can get even closer to a perfect room, and a perfect mix, because the future of studio sound is here, and it's called ERGO. ERGO's high-end sound quality makes it perfect for the discriminating audio professional, while the affordable price puts it within reach of the typical recording hobbyist. Every studio needs an ERGO, because even the most accurate monitor in an imperfect room isn't going to solve mixing problems, but ERGO will. ERGO also makes your mix translate from the studio to different environments. How good is a great track that only sounds great in your room? With ERGO, your mix sounds great everywhere you or your fans want to hear it. Want better sound, and in more places? Put an ERGO in the mix. ERGO is a digital room analysis/correction system and consists of the ERGO unit, a microphone, and control software. These three pieces are used to measure and analyze phase/frequency problems within a listening environment.
KRK ERGO: Smarter than Your Average Gear Room correction products aren't new, but thank goodness ERGO is. While conventional room correction systems utilize simple analysis and limited bands of EQ (often fewer than 8), ERGO uses multiple measurements and proprietary algorithms to create a 3D image of the room, and then applies 1024 dynamic filters to control the audio environment. Our 3D model allows users to preserve the "good" characteristics of the room, while correcting the bad... ERGO doesn't color the sound or produce an artificially sterile environment. ERGO produces the best mix for a given room; a mix that will translate better to other listening environments, since it was mixed in a perfect room.
KRK Ergo Features:
Large Volume Knob: Ultra-smooth response volume control provides simultaneous control of ERGO's A/B/Sub outputs.
A Speakers: Enables or disables the audio being sent to the A speakers.
B Speakers: Enables or disables the audio being sent to the B or subwoofer speakers.
Room Correction: Turns room correction processing on or off.
Focus/Global: The 3D model allows users to preserve the good features of the room, while correcting the bad. This gives you perfectly corrected sound while mixing. In Global mode, the corrected spot is widened so that others (producers, musicians, groupies) can enjoy your mix in a corrected environment.
Headphone Volume (side panel): Adjusts the output level of the headphone jack. The headphones have their own independent audio stream, or can mirror the A stream.
Calibration Switch (back panel): This enables the room calibration microphone and places ERGO into analysis mode.
If the sophisticated room analysis wasn't enough, ERGO can help around your studio in other ways too. Ergo can switch between two sets of full range monitors, or two monitors and a subwoofer via its front panel controls. Switch easily between monitors or monitors and sub systems. Each set of speakers will have their own correction filters. ERGO also provides a choice of selecting between two stereo audio streams through the headphone output. While ERGO's large volume control delivers ultra-smooth response of ERGO's A/B/Sub outputs. ERGO has your connections.

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5/01/2012

Sennheiser e835 Dynamic Vocal Microphone (3 Pack) Review

Sennheiser e835 Dynamic Vocal Microphone (3 Pack)
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Hi there, I'm currently using a single Sennheiser e835 Dynamic microphone. It delivers professional quality sound. Now when you hear that, your thinking... it means whatever your mind wants it to mean. Basically when i say its got professional quality, i mean.. it'll suite you... for whatever you have to record. It does an amazing job for my podcasting studio delivering great variance between highs and lows. As long as your between 1-4 inches from the mic you will get amazing quality sound, everything outside that will be ignored. I often times have my tv going, my music playing or i'm having a conversation at the same time as having a podcast, and all i have to do is move the mic away from my mouth. The 10 year warrenty is very good, and the construction of this microphone screams nothing but quality. The Shure Sm57 and 58 havn't been changed since.. *cough* 1957 and 1958. In these last 40-50 years we've come up with a lot of better tech to go into a mic, this microphone hosts some of that. The cage on top is also much more durable than the Shure models. I believe i'll be happy to have this microphone for 10+ years.

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The Sennheiser e835 Dynamic Vocal Microphone; A top selling mic for lead vocals The e835 is a quality vocal mic with performance and build characteristics never before available at this price. The e835 utilizes a cardioid pick-up pattern providing good signal isolation and feedback rejection, enabling higher sound levels to be obtained. Metal construction and internal shock-mount system minimizes handling noise. Designed as a lead vocal stage mic, the e853 performs under pressure. Available here in two separate packages: A mic, cable and stand package that includes a tripod boom stand and 21ft mic cable. - or - A 3 microphone package that offers 3 e835s with great savings. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass end performance when singing closer to or further from capsule. AmericanMusical.com is an authorized dealer of Sennheiser products.

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